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[Review] A Few Simple Reasons Why You Have To Go To The 2012 Decibel Magazine Tour

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With all the metal tours going on throughout the year, it’s hard to determine which are the ones that are worth your time. After all, you can’t be expected to attend them all, right? Well, BD’s Lauren Taylor just got back from checking out the 2012 Decibel Magazine Tour, which features In Solitude, The Devil’s Blood, Watain, and headliners Behemoth. Check below for her thoughts on the show!

The average fan generally does not receive an epic, theatrical stage show from their favorite musician. Luckily black metal fans are blessed with not only insane music – but amazing visuals to accompany it. Monday, April 16th marked the first show of the Decibel Magazine Tour that Swedish band Watain performed – having been forced to pull out of the first four shows due to delays in obtaining visas. The band is known for a stage emblazoned with candles and rotting, severed animal heads on stakes. Perhaps due to the delays of entering the US, their set was subdued with only skulls and inverted crosses yet their costuming still remained brilliant. Singer Erik Danielsson crept the stage like a zombie on a nautical adventure through hell as they pounded out tuneage.

Headliners Behemoth took the stage with the intense blastbeats of Ov Fire and the Void shortly after. If you’ve never had the pleasure, lead singer Nergal (aka Adam Darkski) – who battled leukemia a few years back and was thankfully saved with a bone marrow transplant – alone is worth the show. He is quite the ominous creature. Picture Pinhead having a love child with a Polish businessman and raising said child in the Thunderdome. I mean that with the utmost respect. He is incredible to look at.

While the music is entertaining in the pitch dark, the theatrics of this genre, again, add an element that everyday Joe cannot comprehend. Fans should rejoice in this gift we are given. I know I did. I honestly had an epiphany of how grand life is during Watain’s epic Waters of Ain. Seeing a sea of individuals in the harmonious union that is black metal. With a mindblowing lineup of Behemoth, Watain, The Devil’s Blood, and In Solitude, the Decibel Magazine Tour of 2012 is not to be missed.

Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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