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Best & Worst of ’10: RYAN DALEY’S TOP 10 OF 2010

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I relish my role as a DVD critic for B-D, especially as a guy who has grown estranged from the once-relished movie theater experience. I deeply respect Mr. D for braving a tweener-packed Twilight screening in order to secure an early review, but these days I’d rather review a movie from the sanctity of my own sofa in a completely empty house. It’s the only way to truly immerse myself in a film. And I know that I’m not alone. There are others out there, silent rebels that have angrily disavowed movie theaters and their obnoxious distractions. And this list of the best horror DVDs of 2010 is dedicated to you, my fellow theater-hating couch potatoes. (Once again, this is a list of DVDs, not theatrical releases. So please try to refrain from giving me shit in the comments for neglecting Let Me In, Buried, or other movies that won’t receive a DVD release until 2011.)

Mr. Disgusting (Best/Worst) | Ryan Daley (Best/Worst) | David Harley (Best/Worst)
BC (Best/Worst) | Micah (Best/Worst) | Keenan (Best/Worst) | Theo (Best/Worst)
Best One Sheets | Worst One Sheets
Most Memorable Moments | Top Trailers | Memorable Quotes

RYAN DALEY’S TOP 10 OF 2010

10. Predators (October 19; 20th Century Fox)


Although not a perfect film, Predators’ ìgame preserveî premise served as an excellent thematic reboot to the franchise. Sure, a puffy Larry Fishburne gets killed off way too early, but there are plenty of righteous fight scenes to go around, and Adrien Brody does his whole growly Bale/Batman thing for 107 minutes, which had to impress somebody, somewhere.

9. Dark Night of the Scarecrow (September 28; VCI Entertainment)


A TV-movie gem from 1981 finally gets the DVD release it deserves. After being executed for a crime he didn’t commit, a small town retard rises from the grave to seek revenge against the posse that killed him. It’s good, cheesy fun, a perfectly shot piece of low budget Americana that still manages to resonate 30 years later.

8. House of the Devil (February 2; Dark Sky Films)


It took two viewingsññmonths apartññbefore Ti West’s slow-burn style really started to grow on me. His homage to 80s horror is too well-crafted, moody, and memorable to dismiss as simply ìboringì. Once I realized that the shitty pacing was on purpose, the flick was finally able to work its old school magic.

7. Frozen (September 28; Anchor Bay Films)



I get a rager for single-setting horror flicks and Frozen takes a high-concept premise to an armrest-gripping extreme. Adam Green’s tale of three friends trapped on a ski lift made me both sweat and shiver in the theater. In a sense, it’s the ultimate survival film. In the process, Green managed to teach Hollywood a valuable lesson: When it comes to wolves, there is no substitute for the real thing.

6. The Killer Inside Me (September 28; MPI Home Video)


Despite its universally appealing white-bread cast (Casey Affleck, Jessica Alba, and Kate Hudson), The Killer Inside Me received a very limited release (17 theaters) and only managed to bank around $200,000 at the box office. You’d think the halcyon 1950s setting would appeal to mystery-loving baby boomers, but perhaps the gut-wrenching violence turned them away. Like Blue Velvet, it’s a disturbing exploration of the evil that lurks just beneath the tranquil surface of us all. A queasily unforgettable movie experience that’s not intended for everyone.

5. Centurion (November 2; Magnolia)


British director Neil Marshall follows up The Descent and Doomsday with this hyper-violent Romans vs. Barbarians spectacle. I’m hard pressed to name a contemporary director who makes movies that are as reliably entertaining as Marshall’s, and Centurion is no exception. Although it’s not technically a horror film, the high-energy battle scenes and gorgeous Scotland landscapes are straight-up eye candy, the blood flies fast and loose, and the bounteous carnage will please even the most unforgiving of horror fans.

4. Shutter Island (June 8; Paramount)


The complaints about the predictability of its twist ending are somewhat warranted, but Martin Scorsese’s madhouse lockdown is all about the journey, not the destination. Oozing the same suffocating dread that defined 1991’s Cape Fearññalong with some truly stunning cinematographyññShutter Island deserves far more respect than its post-Oscars release date would imply.

3. Moon (January 12; Sony Pictures)


Yeah, I know it seems like this one came out ages ago, but I was forced to exclude it from last year’s DVD list due to its January 2010 release date, and it definitely deserves some space here. Itës my favorite film of the 2009 Sundance Film Festival, a thought-provoking piece of science fiction about manës inherent loneliness in the universe, easily on par with superior genre fare like Solaris or Sunshine.

1. (tie) Best Worst Movie and Never Sleep Again (January 12; Sony Pictures)


Kneel and give praise to the Horror Gods, for 2010 was the year of the two best horror documentaries of all time! Never Sleep Again is a four hour love letter to the Nightmare on Elm Street franchise, a doc that leaves no gravestone unturned, covering everything from the vast shittiness of the syndicated Freddy’s Nightmares to the latent homosexuality that seeped through Nightmare Part 2. Whether or not you’re an obsessed fan of the franchise, it’s a film that is impossible to stop watching.

And at this point, I don’t know what more you need to hear about Best Worst Movie. It’s both hysterically funny and genuinely moving, a powerful dedication to bad cinema everywhere. If you still haven’t had your friends over for a Nilbog party, well, then you just ain’t livin’. Put it on your bucket list, stat.

Honorable Mentions

Red Riding, Cropsey, Zombieland, The Book of Eli, The Crazies

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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