Movies
Full International Trailer for Roland Emmerich’s ‘Hell’
Back in early July we reported on a low-budget apocalyptic tale from Roland Emmerich, king of the end-of-the-world subgenre (he directed Independence Day, 2012 and The Day After Tomorrow). Entitled Hell, inside we’ve scored the full international trailer for Tim Fehlbaum’s dusty indie opening in Germany this September.
“It was once the source of life, light and warmth. But now the sun has turned the entire world into a baked and barren wasteland. Forests are scorched. Animal carcasses line the roads. Even the nights are dazzlingly bright.
Maria, her little sister Leonie and Phillip are heading for the mountains in a car with tinted glass. Rumor has it water can still be found there. It is a hazardous trip to nowhere. Along the way, they run into Tom. He turns out to be a first-rate mechanic and becomes indispensable. But can they trust him? The tension grows. As if things weren’t bad enough, they are lured into an ambush and their real battle for survival begins…”
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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