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[Review] FF ’11: ‘The Human Centipede 2 (Full Sequence)

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*Update: Read two more reviews on Bloody.

Reviews have begun pouring online so I figured we may as well post our first in a series hitting Bloody Disgusting. Brad McHargue (@BradMcHargue) reports in from Fantastic Fest following the world premiere of Tom Six’s The Human Centipede 2 (Full Sequence). Much like the reviews I’ve seen thus far, McHargue was NOT a fan, which actually makes me even more excited to see it myself.

You can watch the intro to the screening at Corey Mitchell’s online blog, with the first review inside. Watch this spot for David Harley’s thoughts in the coming week, with a potential third review if any of the staff like the film. I love a bit of controversy!! You’ll find the first theatrical listings here.

The Human Centipede 2 Full Sequence

Human Centipede 2The Human Centipede is not a bad film. It’s certainly not a great film, but when viewed within the context of its incredibly narrow and disturbing concept, writer/director Tom Six managed to construct a movie that, although slightly disturbing, was more than just extended scenes of forceful defecation and coprophagia. With The Human Centipede 2: Full Sequence, Six took a different route, eschewing subtlety in favor of serving up some of the disgusting acts known to man on a silver platter.

The sequel tells the tale of a man named Martin who is obsessed with the first Human Centipede film. When not watching the film ad infinitum and dissecting each scene during his boring desk job as a security guard for a parking garage, he’s knocking people out with a crowbar, tying them up, and taking them to a warehouse so he can create his own human centipede. Hatred of everything ensues.

Let’s start with the good. Laurence R. Harvey was excellent as Martin, spending the duration of the film exemplifying a seemingly mentally challenged man through nothing more than grunts, cries, screams, and the distant look of a man who is clearly insane. He lives with his mother, an old woman with aspirations of killing herself and her son, and through this glimpse of his home life we see a man whose sole source of joy comes from a movie. In this we get rare moments where he manages to elicit a modicum of sympathy; it’s not Bambi, but many can empathize with a lonely man lost in a film. This, of course, is abandoned when he, say, rips out someone’s tongue or rapes someone with barbwire covering his penis.

Beyond that, the cinematography was quite good, with the entire film being shot in black and white, giving it a distinctly…disturbing feel that most likely would have been lost had it been in color. It’s dark, it’s gritty, and when the blood flows (and believe me, it does), it’s black, much like Tom Six’s heart. It’s well shot, but that can do nothing for the “bad” of the film, which is, well, everything.

The Human Centipede 2 should not exist. It is disgusting, offensive, and does nothing but push every possible button and cross every boundary of human decency without making any sort of statement beyond “I’m doing this because I can.” With scenes ranging from masturbating with sandpaper (with nothing left to the imagination) to a veritable conga line of fecal consumption initiated by a well-placed syringe of laxatives in the buttocks, each scene in The Human Centipede 2 serves as nothing more than a reminder that there is no God, and, if He does exists, then he sent Tom Six as punishment for our misdeeds. If torture porn exists as a maligned sub-genre, this film exemplifies it.

The Human Centipede 2: Full Sequence is a complete one-eighty from the first film. Whereas the first was a unique exercise that managed to satisfy (despite its premise) with an interesting story supported by a creepy main character, the sequel manages to be nothing more than a demented pervert’s greatest hits. Devoid of anything redeemable, The Human Centipede 2: Full Sequence is an affront to mankind, and I hate Tom Six for its existence.

If this is Six’s natural progression, then the third film will be investigated for crimes against humanity.

0/5 Skulls

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‘Ready or Not’: Radio Silence Filmmakers Tease the “Absolute Banger” of a Sequel That’s Taking Shape

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It was first reported a couple weeks ago that Ready or Not 2 is now in development, with Adam Robitel (The Taking of Deborah Logan, Insidious: The Last Key, Escape Room, Escape Room: Tournament of Champions) in talks to direct the sequel to the 2019 box office hit. Additionally, we had learned that Samara Weaving would be returning to star.

Entertainment Weekly caught up with Ready or Not directors Tyler Gillett and Matt Bettinelli-Olpin in the wake of those reports, and we’ve now got an update straight from the source.

“It’s getting figured out. That’s what we’ll say: Ready or Not 2 is getting figured out,” Gillett tells EW, confirming last month’s report. “What we can say is that there is a script that is an absolute fucking banger of a sequel. And however it gets made, and in whatever capacity we are helping get it made, we are so excited that it’s happening.”

“I don’t think we knew after making [Ready or Not] that there would be so much story left to tell,” Gillett continues. “We’re so proud of what that first movie is, we’re so proud of what the sequel is. We’re just really excited, and fingers crossed that it gets made.” Bettinelli-Olpin adds, “And with Searchlight and Samara, they’re not gonna let it down.”

The first film introduced a mythology wherein the wealthy Le Domas family has made a deal with the devil, one that requires them to take part in bizarre – and deadly – wedding night traditions. There’s much that can be done with the premise going forward, even if the first movie ended with Weaving’s Grace massacring the family and burning down their estate.

Wikipedia reminds, “The sole survivor of the night, Grace walks out of the burning manor just as the police arrive. Upon asking her what happened, she simply replies: in-laws.”

Samara Weaving

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