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‘The Evil Dead’ Gets Very Specific With More Story Details!

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Evil Dead

Yesterday we learned that Ghost House/Mandate Pictures and Sony/FilmDistrict would be headed to New Zealand in March to begin filming Evil Dead, the remake of Sam Raimi’s 1981 The Evil Dead. Fede Alvarez directs from his own screenplay co-written with Rodo Sayagues. Revisions were done by Oscar-winning writer Diablo Cody (and I’m willing to bet her contributions were significant – you don’t pay that kind of money for a cosmetic touch-up).

The story centers on five friends holed up at a remote cabin where they discover a Book of the Dead with a demonic force unleashed possessing each until only one is left to fight for survival. As we exclusively reported, there is a drug subplot.

Now, we have even more details. Hit the jump to be slightly spoiled! Or more than slightly spoiled! There’s quite a bit you may want to avoid if you want to go in cold. A whole bunch of new info hit regarding the character dynamics of the group, and the vaguest of plot outlines is beginning to shake out from all of the disparate details.

First off the tone is apparently not quite as campy as before. This is apparently going for more straight-up scares a la The Shining.

What’s more? Here’s more.

Per Moviehole, “Mia and David, estranged siblings who have recently lost their mother (Mia’s taking it the hardest being that she’s the one who spent most days at the hospital watching her mother deteriorate) have reunited, along with some old friends and his David’s fiancee, for an intervention at THAT old cabin. As reported by Bloody Disgusting this week, It’s here that the near rehabilitated Mia (who has apparently already been cast) will also toss the last of her drugs down the well and finally go cold Turkey.

A big storm sets in. Everyone heads to the cabin. The book of the dead is found, and arrogant Eric (one of the friends along for the trip) takes the most interest in transcribing passages from it. Always the dicks that bring the trouble, right?

Meanwhile Mia struggles with her newly sober self — BIG TIME. She was going slightly loopy anyway from a recent overdose (one in which she technically died from but was brought back) so no surprise that Mia is the first and worst to go bananas. And no surprise either that nobody believes her crazy claims of coyote dogs and trees attacking her!

There’s more to the story, so head over to Moviehole to check it out!

Movies

‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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