Movies
TV: Helena Mattsson Moves To “666 Park Avenue” After Making Babies
There are like 5 projects never seem to stop casting. “666 Park Avenue” is one of them. ABC’s supernatural-tinged drama pilot. has now added Helena Mattsson (pictured inside; Iron Man 2, Seven Psychopaths) to its roster of talent. She just recently wrapped the upcoming Babymakers. She joins the previously announced Vanessa Williams, Rachael Taylor, Dave Annabele and Terry O’Quinn.
Per Variety, “Mattsson, who will play the role of Alexis, recently appeared in the CW’s “Nikita” and also had a recurring role in “Desperate Housewives.” She will next be seen in the film “The Babymakers,” opposite Aisha Tyler and Olivia Munn.”
The thriller, based on the Gabriella Pierce book series of the same name, “centers on a young couple (Rachael Taylor and Dave Annable) that accepts an offer to manage one of the most historic apartment buildings in New York City. They unwittingly begin to experience supernatural occurrences, which complicate and endanger the lives of everyone in the building.”
The pilot was written by “Fringe” scribe David Wilcox. 
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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