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[News Bites] More Pilot Casting, Event-Sized ‘Battle: Los Angeles’ Sequel, Rick Baker’s Incredible ‘MIB:3’ FX Work & ‘Dracula’ the Lawyer!

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Men in Black 3

Columbia Pictures is moving forward with a sequel to Battle: Los Angeles after it made nearly $212 million at the boxoffice worldwide. Our friends at Collider recently caught up with director Jonathan Liebesman, who offered the following when asked of the sequel’s status: “We’ve just started the script now so that’s where we are. We have just begun the script,” he explained addeing, “But what’s exciting is it sounds like the budget will be as big. They’re really going to make it an event.” The movie was inspired by unexplained true events back in 1942.

Storm Warning star David Lyons has been cast in the JJ Abrams/Eric Kripke NBC drama pilot “Revolution,” directed by Jon Favreau, “about a group of survivors in a world where all forms of energy have mysteriously ceased to exist.” He will play the charismatic Marine Bass, a role which became vacant after Billy Burke, who was originally cast in the role, was just promoted to play the lead Miles, reports Deadline. Also cast in the pilot is Maria Howell in the supporting role of the regal and fiercely intelligent Grace.

The site also adds that Erik Palladino (Buried) has been added to ABC drama pilot “666 Park Avenue” in the recurring role of Tony Demeo. The thriller, based on the Gabriella Pierce book series of the same name, “centers on a young couple (Rachael Taylor and Dave Annable) that accepts an offer to manage one of the most historic apartment buildings in New York City. They unwittingly begin to experience supernatural occurrences, which complicate and endanger the lives of everyone in the building.

In a little random cool news, an article at THR explains that for more than a century, Bram Stoker’s Dracula has set the standard in the horror genre — yet the author also managed to set the bar quite high in contract negotiations. A new version of “Dracula” is about to be published, and the most fascinating inclusion is Stoker’s 1897 contract, which reveals he got a 20 percent royalty fee — about twice as much as most authors get today. The publishers of the new version say it indicates that Stoker, who studied law, knew what he was doing. Right on Stoker! Click the link for the article.

Courtesy of Stark Industries comes the below images from behind-the-scenes of Columbia Pictures’ Men in Black 3, all of which show the incredible work of special effects mestro Rick Baker! Directed by Barry Sonnenfeld for release on May 25, the pic stars Will Smith, Tommy Lee Jones, Jemaine Clement and Emma Thompson in a time travel genre pic that’s jam-packed with alien creatures (plenty on display inside!) Men in Black 3

Men in Black 3

Men in Black 3

Men in Black 3

Men in Black 3

Men in Black 3

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘The Exorcism’ Trailer – Russell Crowe Gets Possessed in Meta Horror Movie from Producer Kevin Williamson

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Russell Crowe (The Pope’s Exorcist) is starring in a brand new meta possession horror movie titled The Exorcism, and Vertical has unleashed the official trailer this afternoon.

Vertical has picked up the North American rights to The Exorcism, which they’ll be bringing to theaters on June 7. Shudder is also on board to bring the film home later this year.

Joshua John Miller, who wrote 2015’s The Final Girls and also starred in films including Near Dark and And You Thought Your Parents Were Weird, directed The Exorcism.

Joshua John Miller also wrote the script with M.A. Fortin (The Final Girls). This one is personal for Miller, as his late father was the star of the best possession movie ever made.

Miller said in a statement this week, “The origins of the film stem from my childhood spent watching my father, Jason Miller, playing the doomed Father Karras flinging himself out a window at the climax of The Exorcist. If that wasn’t haunting enough on its own, my dad never shied away from telling me stories of just how “cursed” the movie was: the mysterious fires that plagued the production, the strange deaths, the lifelong injuries— the list went on and on. The lore of any “cursed film” has captivated me ever since.”

“With The Exorcism, we wanted to update the possession movie formula (“Heroic man rescues woman from forces she’s too weak and simple to battle herself!”) for a world where no one group owns goodness and decency over another,” he adds. “We were gifted with an extraordinary cast and creative team to tell a story about how we’re all vulnerable to darkness, to perpetuating it, if we fail to face our demons. The devil may retaliate, but what other choice do we have?”

The film had previously been announced under the title The Georgetown Project.

The Exorcism follows Anthony Miller (Crowe), a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter (Ryan Simpkins) wonders if he’s slipping back into his past addictions or if there’s something more sinister at play.”

Sam Worthington (Avatar: The Way of Water), Chloe Bailey (Praise This), Adam Goldberg (The Equalizer) and David Hyde Pierce (Frasier) also star.

Of particular note, Kevin Williamson (Scream, Sick) produced The Exorcism.

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