Movies
‘Carrie’ Remake Confirms Julianne Moore, Gets Close To Gabriella Wilde
Casting is still underway for Boys Don’t Cry director Kimberly Peirce’s Carrie, which Sony has officially slated for release on March 15, 2013. Kick-Ass and Let Me In‘s Chloe Moretz has the title role and Deadline just double-confirmed our exclusive scoop from last month that Julianne Moore would be playing Carrie’s mother. Moore’s deal has now been finalized and now the production is close to hiring Gabriella Wilde (pictured below; The Three Musketeers).
Per Deadline, “Now the studio is negotiating with Gabriella Wilde for the the role of Sue Snell, the role originated by Amy Irving.”
The Roberto Aguirre-Sacasa adaptation of the Stephen King thriller is “About the hyperkinetic teenager who gets pushed too far at the prom and wreaks havoc on her fellow high school students.” King’s bestselling book was turned into the 1976 film that starred Sissy Spacek, John Travolta, Amy Irving and Piper Laurie as the repressive mother. On Carrie, Aguirre-Sacasa will write a version that is more faithful to the King book than the earlier movie.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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