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[Album Review] Flyleaf ‘New Horizons’

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When news broke that Flyleaf singer Lacey Sturm was leaving the band mere weeks before the release of their latest album New Horizons, it was a complete shock to fans and even casual listeners. After all, how could we, the listeners, go into this without feeling sadness, even a sense of betrayal?

But what other choice is there? I can sit back and complain, saying that I’ll never listen to the album. But what’s the point? Why would I deprive myself the opportunity to hear Lacey’s final (for the foreseeable future) offering? And so I hit ‘Play’ to see if her exit was one with grace or if it left a sour taste in my mouth.

The album opens with “Fire Fire”, which begins far more innocently than it probably should. An arpeggiated 7/4 guitar riff that sounds almost like a piano opens the track, followed by Lacey singing gently and soft drums tapping out rhythms. Suddenly, everything stops for two beats and the song bursts into life. The song ends with Lacey and a throng of people chanting, “Fire! Fire fire! Fire from the tongues of liars!” It’s a perfect beginning to the album, mixing heavy with soft, confident with pleading, subtle with forceful.

The production of this album is near spot on. There are slight imperfections here and there but that only serves to give this album a very human, organic feel.

Some of my personal favorite tracks on the album would be “Green Heart”, which is the most “metal” offering this album gives. Then there is “Call You Out”, which is meant for stadiums, thousands of people chanting the chorus while jumping up and down. “Bury Your Heart” is perhaps the most emotional song, mixing a desperate chorus that has roaring guitars underneath with hypnotic, tribal-esque verses.

The Final Word: New Horizons is a bittersweet experience. It’s a fantastic album that marks the end of Flyleaf’s history with singer Lacey Sturm. This is something that she can look back upon with confidence, knowing that she gave it her all and then some.
While it is difficult trying to see a future without her as part of the band, there is, as the feel of the album suggests, always hope. It’ll be interesting to see what the band does next.

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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