Connect with us

Editorials

[Editorial] From Worst To Best: The Nightmare Before Christmas Soundtrack

Published

on

Merry Christmas to one and all! Personally, my holidays kinda ended a few weeks ago when I didn’t need to light anymore candles for Hanukkah, so I got to sit back and just enjoy the fever pitch that Xmas puts a lot of my friends into.

Now, I know that for many of you, it’s a family tradition to watch certain films at this time of the year. For some of you, it might be A Christmas Story. For others, it might be Gremlins. Hell, for all I know, some of you might have a tradition of doing a Nightmare On Elm St. marathon (kudos to you and your family for being awesome).

For me, I watch whatever I want because it’s simply just another day of the year for me. So, today I watched Tim Burton’s The Nightmare Before Christmas. Then I got to thinking, what were my favorite songs and which ones did I simply just want to skip past? Then I figured I’d share my thoughts with you! So, head on below to see my take on the soundtrack to this classic film!

Making Christmas
I don’t know what it is about this song but I never liked it. It just never went anywhere and the lyrics felt broken and forced upon.

Poor Jack
Another bore of a song but at least this one amps up in intensity and sets up the climax and final battle with Oogie.

Finale/Reprise
Ends the film perfectly but the shifts from “Halloween” minor to “Christmas” major never really sat well with me.

Jack’s Obsession
It starts out slow and sinister and builds up to Jack’s need for dominance and control. While fun, I feel like it’s a track that is meant for the middle of the movie in that it simply keeps the pace going.

Town Meeting Song
While Jack is desperately trying to explain Christmas Town, it’s the banter between all the characters in this song that is the highlight. Their “understanding” of each Christmas concept is so ludicrous yet believable, that it’s fascinating to watch.

Jack’s Lament
What makes this song so poignant is that it incredibly relatable. No, none of us are The Pumpkin King and not all of us have such a strong sense of self-confidence in our abilities. However, we’ve all been at that point in our lives when we feel like we’re in a repeating rut.

Oogie Boogie’s Song
Inventive and wild, this Tom Waits-esque jazz number is a toe tapper of a good time.

Kidnap the Sandy Claws
After the somewhat (dare I say) boring “Jack’s Obsession”, this track brings the excitement back with perhaps the most sinister, violent and vicious lyrics of the whole movie.

Sally’s Song
A beautiful, tragic song that makes us all want to scream, “JACK! Don’t you see that the best gift is right in front of you?”

What’s This?
The excitement and thrill that Jack experiences from Christmas Town is much like the joy of seeing something as visually entertaining and thrilling as this movie.

This is Halloween
This opener is everything I want from the songs in this film. It’s exciting, it’s playful, it’s childishly terrifying, and it’s the true essence of the film.

Alright readers, what are your favorite tracks? Share ’em below in the comments!

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Managing editor/music guy/social media fella of Bloody-Disgusting

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

Published

on

Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

Continue Reading