Movies
[TV] “The Walking Dead” Crosses The Casting Wire
AMC’s been casting up for Season 4 of “The Walking Dead” and the role of “Roy Stark” may have been filled. It was revealed earlier this month that AMC was looking to fill the part described as a “former army medic who is deeply haunted by his past.” The role is to be a regular on the series. Now iDigitalTimes is reporting that Lawrence Gilliard Jr. (pictured above; “The Wire”, The Waterboy) is in talks for the role. Sadly, I don’t think this indicates a “Game Of Thrones” crossover despite the name.
We already knew that for October’s return David Morrissey will return as a series regular as The Governor. The British actor initially signed on for a one-season role to play the famed villain from the comics created by Robert Kirkman on which the TV series is based. In the Image/Skybound comics, the Governor fails to survive a brutal showdown at the prison with Rick.
Gilliard will join newly minted regulars (and former recurrings) Chad L. Coleman and Sonequa Martin-Green on the show.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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