Movies
Rick Moranis Wouldn’t Not Do ‘Ghostbusters 3’
Here’s a bit of non-news that I’m actually excited to report on.
Personally, Louis Tully is my favorite character in the Ghostbusters franchise, which is why Rick Moranis’ return in Ghostbusters 3 is essential to my support.
Thankfully, he’s not opposed to making a return, he tells Empire in an insanely rare interview.
“I haven’t talked to Danny (Aykroyd) about it,” he tells the UK magazine. “Somebody he’s associated with called me and I said, ‘I wouldn’t not do it, but it’s got to be good.’ You know, I’m not interested in doing anything I’ve already done, and I thought the second one was a disappointment.
“But I guess I’m interested in where that guy is now. I sort of see him as being Bernie Madoff’s cellmate in jail. Both of them being so orderly that they race to get up and make their beds.”
I think he’s selling himself short, as his character could easily be one of the film’s driving forces.
And speaking of short…
If I had a time machine I’d go back and attempt to make a Rick Moranis/Martin Short buddy comedy. It’s one of the biggest mistakes this world has ever served us.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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