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[TIFF ’13 Review] ‘The Station’ Essentially An Old-Fashioned Creature Flick

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Gletscherblut The Station

We introduced director Marvin Kren to Bloody Disgusting readers with the release of our Selects title Rammbock: Berlin Undead, and now he’s back with another genre offering that had its World Premiere at the ongoing 38th Toronto International Film Festival.

Part of the Midnight Madness program, Kren’s Austrian horror film The Station takes place in the Alps, where environmental changes create the horror. Scientists are stunned as the nearby melting glacier is leaking a red liquid that quickly turns to be very special juice — with unexpected genetic effects on the local wildlife.

Mike Pereira was on hand to catch Kren’s creature feature, which he says was decent enough horror fare, although never really finds its footing.

“The Station is a perfectly decent horror thriller,” says Mike in his review, calling it pretty text book stuff. “There’s really nothing here that we haven’t seen before.

The contemporary message dealing with the dangers of climate change works. It’s as realistically portrayed as you’d hope for in what essentially is an old-fashioned creature flick,” he explains before talking about the films inability to take it to the next level. “I was with the film from start to finish, patiently awaiting it to take it to the next level. Unfortunately it never does. When the action breaks out, it’s all fairly generic. There is solid scare or two but that’s about it…

The 38th Toronto International Film Festival runs from September 5 to 15, 2013. Watch our continuing coverage.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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