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Designer Alleges That ‘Oldboy’ Poster Designs Were Stolen

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There’s a lot that goes on behind the scenes of the release of a film, so much craziness that I’m sure a lot of you don’t know just how bad it can be. Thankfully for PR, most of the problems stay behind closed doors. Not this time.

Designer Juan Luis Garcia took to his personal blog to express his frustration with his work on Spike Lee’s Oldboy (review), now in theaters everywhere from FilmDistrict.

Garcia alleges that the ad agency handling for the studio made him jump through an insane amount of hoops for peanuts, has yet to pay him, and even became threatening when early comps leaked onto the Web. He then passed on revising the project to return to his regular day job as a photo assistant. To his surprise, his unused comps, which were used to develop “newer” versions, were then posted online for public consumption.

Dealing with the agency was one the worst experiences of my life,” he writes. “It affected all aspects of my life from my marriage to my work and my health. I was taken advantage of, lead on, lied to, manipulated, and harassed for over two months while I put all I had into designing the comps.

The agency told me, ‘Congratulations, Spike loved a couple of the posters. Yours is going to be the key art,’ and I was thrilled,” he adds. “But when it came time to negotiate the licensing buyout fee the agency made an insultingly low offer. But they said that the important thing wasn’t the money it was the exposure and potential for more work. After thinking about it long and hard I had to decline. I tried to negotiate but they refused. I make the same amount of money in a single day as a photo assistant as what they offered and I had worked on these almost exclusively for two months. Plus there was still more work to be done so I had to refuse.

The agency was furious. They told me that I didn’t want to mess with Spike Lee, that I would never work again, that I was a despicable human, that they wish they never met me, and that they were going to sue my ass to oblivion.

Things just get more and more insane. He sounds like a man with steam coming out of his ears, ready to explode, and used the might of the pen to express his frustrations. His hope is that Spike Lee reads about his situation, and can rectify it. Ultimately, it’s more embarrassing for the studio as the director is rarely in direct contact or responsible for such actions. The ad agency in charge should be trembling in fear right now as I can only imagine the studio isn’t appreciating the negative press on opening day…

Read Garcia’s open letter to Spike Lee right here. Check out some of his art below…

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Ready or Not’: Radio Silence Filmmakers Tease the “Absolute Banger” of a Sequel That’s Taking Shape

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It was first reported a couple weeks ago that Ready or Not 2 is now in development, with Adam Robitel (The Taking of Deborah Logan, Insidious: The Last Key, Escape Room, Escape Room: Tournament of Champions) in talks to direct the sequel to the 2019 box office hit. Additionally, we had learned that Samara Weaving would be returning to star.

Entertainment Weekly caught up with Ready or Not directors Tyler Gillett and Matt Bettinelli-Olpin in the wake of those reports, and we’ve now got an update straight from the source.

“It’s getting figured out. That’s what we’ll say: Ready or Not 2 is getting figured out,” Gillett tells EW, confirming last month’s report. “What we can say is that there is a script that is an absolute fucking banger of a sequel. And however it gets made, and in whatever capacity we are helping get it made, we are so excited that it’s happening.”

“I don’t think we knew after making [Ready or Not] that there would be so much story left to tell,” Gillett continues. “We’re so proud of what that first movie is, we’re so proud of what the sequel is. We’re just really excited, and fingers crossed that it gets made.” Bettinelli-Olpin adds, “And with Searchlight and Samara, they’re not gonna let it down.”

The first film introduced a mythology wherein the wealthy Le Domas family has made a deal with the devil, one that requires them to take part in bizarre – and deadly – wedding night traditions. There’s much that can be done with the premise going forward, even if the first movie ended with Weaving’s Grace massacring the family and burning down their estate.

Wikipedia reminds, “The sole survivor of the night, Grace walks out of the burning manor just as the police arrive. Upon asking her what happened, she simply replies: in-laws.”

Samara Weaving

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