Movies
‘The Woman in Black’ Resurrected For Multiple Sequels
Even without knowing the success of The Woman in Black: Angel Of Death, the Tom Harper-directed sequel to the smash-hit The Woman in Black (above with star Daniel Radcliffe), Hammer CEO Simon Oakes tells Total Film that he plans more than a trilogy.
“If your second’s successful, then your third, then you’ve got a franchise,” he tells the UK mag. “I just don’t believe in the notion that you can press a button and create a franchise, but, I mean, I’m definitely planning 3 and 4…”
So, per usual, success will dictate more sequels, but there are definitely plans for a third and fourth film.
In the soon to be dated sequel, pictured below, “Seized by the government and converted into a military mental hospital during World War II, the sudden arrival of disturbed soldiers to Eel Marsh Harsh has awoken its darkest inhabitant. Eve, a beautiful young nurse, is sent to the house to care for the patients but soon realizes she must save them from more than their own demons. Despite Eve’s efforts to stop her, one by one they fall victim to the Woman in Black.“
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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