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Most Anticipated Albums Of 2014

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It’s down to the final hours of 2013 and after appreciating what this year has given us it’s time to think ahead to what 2014 will be able to offer. There are some amazing albums that are slated for this upcoming year and I’ve listed a few that stand out for me. Check out the list below and make sure to let me know what albums you can’t wait to hear!

ALAYA – THRONES

Yeah, I put these guys on my Most Anticipated Albums Of 2013. No, they didn’t release Thrones this year. That doesn’t change the fact that I want my grubby hands all over this album, the sooner the better. Hopefully the album will come out before I have to seriously fill out those damn AARP brochures I keep getting in the mail.

ANATHEMA – UNTITLED

2012’s Weather Systems is a work of pure honest beauty and art and it was my Album Of The Year. Having spoken with multi-instrumentalist Danny Cavanagh about the upcoming album, I can say that I have nothing but the highest of expectations.

BEHEMOTH – THE SATANIST

Pure f@%king blasphemous, heretical metal. Gimme more. Gimme it all.

CATTLE DECAPITATION – Untitled

Not only are Cattle Decapitation one of the most talented bands in the metal world, they’re also some of the nicest guys I’ve ever met. Their previous album Monolith Of Inhumanity was critically acclaimed (rightfully so) and the hopes for their next album are sky high.

CROSSES – CROSSES

Having already released two EPs, this project from Deftones‘ Chino Moreno, Far‘s Shaun Lopes, and Chuck Doom has attracted huge amounts of interest. After all, the music already released is fantastic, a strange, eerie industrial trip hop with hard rock flavors that compliment each other perfectly. I’m thoroughly excited for this album, which just so conveniently comes out February 11th.

DEATH WALTZ RECORDS – TWIN PEAKS

This is and always has been my favorite TV show. The characters are endlessly charming and story is intoxicating, each episode pulling the viewer deeper and deeper into the quaint yet oddly supernatural mystery. And what tied it all together was Angelo Badalamenti’s amazing jazz noir score. I will be lined up and eagerly awaiting my chance to pre-order whatever amazing edition Death Waltz has in store.

IN FLAMES – UNTITLED

Say whatever you want but I really enjoyed Sounds Of A Playground Fading. Yes, it’s not how the band sounded when Whoracle or The Jester’s Race came out but who can honestly expect a band to stay completely stuck in the same mindset while the rest of the world grows around them? The band has consistently released solid music and I’m always ready for more!

KING CRIMSON – UNTITLED

The return of the prog rock masters was one of the biggest announcements of this year, stunning fans (including myself) who were under the impression that Robert Fripp was through with music. Their return is easily one of the most anticipated releases of the year!

MASTODON – UNTITLED

The Hunter was a triumph of progressive-tinged metal, a work that is considered by many to be one of the greatest albums of this generation. So it’s no surprise that everyone is on pins and needles awaiting its follow up. On top of being incredibly excited for the new album I find myself just as excited for the band’s ridiculous and amazing music videos that I’m sure will be a part of the promotional push!

METALLICA – UNTITLED

So this album isn’t expected until early 2015 but you never know with Metallica! Besides, how awesome would it be to have an album come out ahead of schedule, especially since it’s been over five years since Death Magnetic?

MOGWAI – RAVE TAPES

Luckily this release won’t take that long to get to my ears since it’s slated to be released on January 21st. So, just hold my breath, wait a little bit, and then I get to enjoy a new album from the Scottish post-rock legends.

OPETH – UNTITLED

Many people basically loathed Heritage but I saw it as a logical and natural continuation of the band and their musical stylings. Still, I’d love to hear something a bit more sinister and vicious, traits which signer/guitarist Mikael Akerfeldt has stated the new album will possess.

TOOL – UNTITLED

Once again, we cross our fingers and hope that everything works out so that these prog-metal giants can all gather together to release their fifth full length studio album. After all, it’s only been nearly eight years since 10,000 Days. Just…just give it to us already.

WAXWORK RECORDS – FRIDAY THE 13TH VINYL OST REISSUE

A definitive vinyl OST reissue to one of the most beloved horror franchises of all time? Gimme. Gimme right now. But in all seriousness, Waxwork Records is known for their immaculate care and attention to detail with their releases, so I know that this reissue is in fantastic hands. Now for a release date…

WAXWORK RECORDS – ROSEMARY’S BABY

I’ve already got mine pre-ordered. Do you? I mean, this soundtrack is stunning. If you’ve seen the film then you know what I’m talking about. And if you haven’t seen it, get thee to Amazon, buy a copy (don’t argue with me here), and proceed to punch yourself in the face until the package arrives. Hopefully you’ll be able to see out of them swollen eyeballs to enjoy the film. But what matters is that your ears should be just fine to enjoy Krzysztof Komeda’s stunning score.

WHITE WILLOW – UNTITLED

Terminal Twilight is an album that I still recommend as being something truly fantastic and enjoyable. It’s also got a ton of elements that are nods and homages to 70’s and 80’s synth-heavy horror soundtracks, so the fact that many horror fans don’t listen to it more just astounds me. It’s because of this sheer enjoyment that I get from listening to this album that I cannot wait for it’s follow up.

WOLVES LIKE US – UNTITLED

Late Love was one of the strongest debut albums I’ve ever heard from a band and I have no doubt that these Icelandic rockers can put together a sophomore album that’ll just blows my socks right off.


Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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