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Monkeybrain Monday Review: “Kinski” # 1-3

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Monkeybrain comics may not specialize in horror, but they do specialize in quality comic books. For those of you looking to expand your palette this is “Monkeybrain Monday” showcasing some of the digital titles this smaller publisher has to offer.

This week we have “Kinski” from Gabriel Hardman. Written and illustrated by Hardman the comic is the story of Joe. Frustrated with his job as a chicken feed rep, Joe is looking for something to reinvigorate his life. Turns out that something is a four-month-old black lab puppy that doesn’t quite belong to him. Hardman straddles the line between doing the right thing and desperation. It’s a telling look at a righteous personal crusade.


WRITTEN BY: Gabriel Hardman
ART BY: Gabriel Hardman
PUBLISHER: Monkeybrain Comics
PRICE: $0.99
GET IT HERE: http://www.monkeybraincomics.com/

The name “Kinski” should mean a lot to film enthusiasts. Klaus Kinski was a German actor who has appeared in more than 130 films, and had a strange and beautiful relationship with Werner Herzog. Giving us one of the most chilling performances ever as Nosferatu, but I digress. That’s where Joe takes the name. He has a deep love for Klaus Kinski. He goes on about the actor the night before he finds a “stray” dog. Joe quickly falls for this little lost puppy. He clearly has a hole in his heart that only this dog can fill. He instantly takes to puppy and can’t help but take the dog as his own.

He embellishes his own explanation for why the dog is missing and lost. Joe does what he can to “save” this dog from a predicament seemingly created in his mind. What results is a heartfelt and somewhat infuriating look at belonging and being a dog owner told from the perspective of someone who’s never had a dog. It’s a strange choice, but oddly alluring.


Joe’s motivation isn’t entirely clear. It only gets further muddled as more pieces of the puzzle come together. His sheer determination to hold onto this dog motivates him to make irrational choices. The entire thing comes from the heart. You can’t help but feel twinges of familiarity in these moments. You sympathize with Joe’s plight and come to terms with what he is doing rather quickly.

This series is magnificently brought to life by Gabriel Hardman’s artistic style. His clean bold line work adds a lot of emotion to the faces of the characters. His large panels of background and locations bring the rural setting to life. The dog itself, Kinski is drawn with such intimacy that will melt your heart. The adorable creatures face just emotes so much, and the sound effects are always reminding you of this pet’s presence.

The entire thing feels like a callback to Sunday comics of old. The lettering is bold and capitalized. Evoking a Ditko feel that will throw you back to the black and white comics of old. The art is dynamic and deceptively simple. The paneling is organized clearly and the story’s pacing never falters. This is a book without a single physical conflict but still manages to be ripe with pages that are tough to sit through because the conflict is so internal and so irrational it will make you squirm.


Its strange because when you judge “Kinski” from afar it doesn’t seem to be about much. A man wrongfully takes a dog and must come to terms with his decision to “rescue” the creature that may or may not have needed rescuing. Yet, it remains a harrowing look at loss, inside of us and what lengths people are willing to go to fulfill themselves, to fill a hole with whatever they can.

It’s irrational and almost nauseating how bad of an idea Joe’s plan is. Somehow though, Hardman makes it tough to sit on the outside and judge. “Kinski” isn’t interested in providing any moral high-ground or big picture statement, at least not yet. Instead its steeped in a moment of stupidity, one that we all have found ourselves in. Those days or weeks that spun out of control thanks to one stupid decision, and thanks to that directed focus the book is an absolute joy to experience.

Things only get more complicated with every successive issue and we’re still not sure what kind of man Joe is. Luckily we don’t have to wait for much longer as “Kinski” # 4 hits on February 19th.

Rating 4/5 Skulls.

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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