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Niagara Falls Comic Con Adds William Shatner & Cast of ‘The Walking Dead’

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More than 30 pop culture celebrities from yesterday, today, and tomorrow will in Niagara Falls next June part of the Niagara Falls Comic Con taking place over three days on June 6, 7 and 8, 2014.

The event, which will take place at the Scotiabank Convention Centre just steps away from the majestic Falls will feature more than 150,000 square feet of exhibitors, comic books, movie cars, cosplay contests, celebrity autographs and photo-ops, a video gaming arena, Falls Horror Fest and more.

“Niagara Falls Comic Con is one of the area’s premier events that has grown immensely in popularity over the years, said Chris Dabrowski,” Show Manager for Niagara Falls Comic Con.  “More than 20,000 people came through the doors at last year’s event, and with our star studded line up, we expect the same sort of turn out.  It’s definitely a can’t miss event in Niagara Falls.  There’s something for everyone,” he added.

Celebrities confirmed to date include:  William Shatner; Dean Cain (Lois & Clark: The New Adventures of Superman); Chandler Riggs (The Walking Dead); Giancarlo Esposito (Gus Fring: Breaking Bad); Alan Ruck (Ferris Bueller’s Day Off); Ernie Hudson (Ghostbusters); Kevin Sorbo (TV’s Hercules); Jason Priestley (Beverly Hills 90210); Peter Mayhew (Star Wars’ Chewbacca); Burt Young (Rocky); WWE Legends Ric Flair and tag team Demolition; Sylvester McCoy (Doctor Who: 7th Doctor); The Comic Book Men; Kevin Eastman (Creator of Teenage Mutant Ninja Turtle); Phil Ortiz (Simpsons Artist); Dan Parent (Archie Comics) and more.

Fans will have an opportunity to get their picture taken with a replica of the famous Ghostbusters “Ecto-1” vehicle, as well as other movie props and memorabilia.  Members of the 501st will be dressed up as Stormtroopers and other characters from the Star Wars trilogy.  The second annual Falls Horror Fest will also take place at Niagara Falls Comic Con, featuring horror movie actors, memorabilia, movie props, displays and more.

Niagara Falls Comic Con takes place over three days on Friday, June 6th, Saturday, June 7th and Sunday, June 8th.  Tickets are on sale now.  Single day admission is $25, and a deluxe 3-day weekend pass will be $60.  For more information, visit www.niagarafallscomiccon.com

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[Review] Graphic Novel ‘Tender’ Is Brilliant Feminist Body Horror That Will Make You Squirm & Scream

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Tender Beth Hetland Graphic Novel

Beth Hetland’s debut graphic novel, ‘Tender,’ is a modern tale of love, validation, and self-destruction by way of brutal body horror with a feminist edge.

“I’ve wanted this more than anything.”

Men so often dominate the body horror subgenre, which makes it so rare and insightful whenever women tackle this space. This makes Beth Hetland’s Tender such a refreshing change of pace. It’s earnest, honest, and impossibly exposed. Tender takes the body horror subgenre and brilliantly and subversively mixes it together with a narrative that’s steeped in the societal expectations that women face on a daily basis, whether it comes to empowerment, family, or sexuality. It single-handedly beats other 2023 and ‘24 feminine horror texts like American Horror Story: Delicate, Sick, Lisa Frankenstein, and Immaculate at their own game.

Hetland’s Tender is American Psycho meets Rosemary’s Baby meets Swallow. It’s also absolutely not for the faint of heart.

Right from the jump, Tender grabs hold of its audience and doesn’t let go. Carolanne’s quest for romantic fulfillment, validation, and a grander purpose is easy to empathize with and an effective framework for this woeful saga. Carolanne’s wounds cut so deep simply because they’re so incredibly commonplace. Everybody wants to feel wanted.

Tender is full of beautiful, gross, expressive artwork that makes the reader squirm in their seat and itch. Hetland’s drawings are simultaneously minimalist and comprehensively layered. They’re  reminiscent of Charles Burns’ Black Hole, in the best way possible. There’s consistently inspired and striking use of spot coloring that elevates Hetland’s story whenever it’s incorporated, invading Tender’s muted world.

Hetland employs effective, economical storytelling that makes clever use of panels and scene construction so that Tender can breeze through exposition and get to the story’s gooey, aching heart. There’s an excellent page that depicts Carolanne’s menial domestic tasks where the repetitive panels grow increasingly smaller to illustrate the formulaic rut that her life has become. It’s magical. Tender is full of creative devices like this that further let the reader into Carolanne’s mind without ever getting clunky or explicit on the matter. The graphic novel is bookended with a simple moment that shifts from sweet to suffocating.

Tender gives the audience a proper sense of who Carolanne is right away. Hetland adeptly defines her protagonist so that readers are immediately on her side, praying that she gets her “happily ever after,” and makes it out of this sick story alive…And then they’re rapidly wishing for the opposite and utterly aghast over this chameleon. There’s also some creative experimentation with non-linear storytelling that gets to the root of Carolanne and continually recontextualizes who she is and what she wants out of life so that the audience is kept on guard.

Tender casually transforms from a picture-perfect rom-com, right down to the visual style, into a haunting horror story. There’s such a natural quality to how Tender presents the melancholy manner in which a relationship — and life — can decay. Once the horror elements hit, they hit hard, like a jackhammer, and don’t relent. It’s hard not to wince and grimace through Tender’s terrifying images. They’re reminiscent of the nightmarish dadaist visuals from The Ring’s cursed videotape, distilled to blunt comic panels that the reader is forced to confront and digest, rather than something that simply flickers through their mind and is gone a moment later. Tender makes its audience marinate in its mania and incubates its horror as if it’s a gestating fetus in their womb.

Tender tells a powerful, emotional, disturbing story, but its secret weapon may be its sublime pacing. Hetland paces Tender in such an exceptional manner, so that it takes its time, sneaks up on the reader, and gets under their skin until they’re dreading where the story will go next. Tender pushes the audience right up to the edge so that they’re practically begging that Carolanne won’t do the things that she does, yet the other shoe always drops in the most devastating manner. Audiences will read Tender with clenched fists that make it a struggle to turn each page, although they won’t be able to stop. Tender isn’t a short story, at more than 160 pages, but readers will want to take their time and relish each page so that this macabre story lasts for as long as possible before it cascades to its tragic conclusion. 

Tender is an accomplished and uncomfortable debut graphic novel from Hetland that reveals a strong, unflinching voice that’s the perfect fit for horror. Tender indulges in heightened flights of fancy and toes the line with the supernatural. However, Tender is so successful at what it does because it’s so grounded in reality and presents a horror story that’s all too common in society. It’s a heartbreaking meditation on loneliness and codependency that’s one of 2024’s must-read horror graphic novels.

‘Tender,’ by Beth Hetland and published by Fantagraphics, is now available.

4 out of 5 skulls

Tender graphic novel review

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