Triptykon Frontman Comments On The Passing Of H.R. Giger


Thomas Gabriel Warrior, the frontman for Triptykon, has released a statement regarding the passing of Swiss surrealist artist H.R. Giger, who passed away yesterday at the age of 74. The two had a long working relationship, from Celtic Frost‘s 1985 album To Mega Therion to the two Triptykon releases, Eparistera Daimones and Melana Chasmata. Warrior also played the Ibanez Iceman guitars with Giger’s artwork on them.

Head below for Warrior’s heartfelt description of their relationship over the years.

For the first time in 74 years, last night was a night not illuminated by the indescribable light that was H.R. Giger.

H.R. Giger became our mentor, against all odds, when we, somewhat audaciously, first established contact with him some 30 years ago. At a time when almost everybody ridiculed, ignored, or even obstructed the music the then almost completely unknown Swiss underground band Hellhammer was creating, Giger listened to us, talked to us, and gave us a chance. Not least at a time when he was at one of many peaks of his path.

A little more than a year later, his exceptionally stunning art made what might be one of Celtic Frost’s most important albums, To Mega Therion, even more significant. Other links to Giger’s universe also manifested themselves, almost as if it was predestined.

Eventually, after many more years, the mentorship became a friendship. It was a friendship and a personal connection I valued infinitely, and it also included his wonderful wife, Carmen, and many other remarkable people that were part of his universe.

When Celtic Frost came to an end so acrimoniously in 2008, H.R. Giger and his wife were among those who witnessed my uncontained despair and stood by me. That Giger subsequently agreed to collaborate with my new group, Triptykon, and thus enabled us to release our first album, Eparistera Daimones, with one of his most dramatic paintings on the cover meant the world to me.

It apparently pleased Giger, too. He told me so on several occasions, and he completely stunned me in October 2011 by proposing that we continue the collaboration between him and Triptykon. I would have never asked for such a thing, because I never would have wanted to appear insatiable. He brushed such reservations aside, and it was his mentorship, friendship, and art that enabled us, once again, to release a second album on which music and cover art formed a seamless symbiosis. Only a few weeks ago, he held the result in his hands and loved it.

Regardless of anything I may write about H.R. Giger, however, none of these words will ever be able to truly, accurately describe him as a person and as a friend. It is utterly inconceivable to imagine a world without his wit, his perception, his genius, his horizon, his determination, his humour, his friendship, and his immeasurable kindness. And yet, we are now left in exactly such a world.

Tom Gabriel Warrior for Triptykon, May 13, 2014

  • RidleyScottIsADirector@gmail.c

    I start to cry every time I see a Giger post. That was a beautiful comment. Sleep well, Mr. Giger.

  • Darkness69

    Tom is a wonderful person, same as Mr. Giger was. I had the pleasure of “speaking” with him over email a few times, since he was Mr. Giger’s assistant, and every time he would delight me with his poetic and eloquent writing. This post is no exception. Rest in peace, dear Mr. Giger.

  • Brandt Hardin

    Fusing the erotic, gothic and surreal Giger was an art movement unto himself. He inspired me from an early age with his fantastic dreamscapes and esoteric imagery. I was compelled to illustrate a tribute to him this week drawing imagery from his own works including Alien and the Birthing Machine at . Drop by and share how his artwork opened your own mind!