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Oh Boy. ‘Vampire Academy’ Is Getting a Sequel, If You Help Pay For It…

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Easily one of the worst films of the year is Dimension Films’ Vampire Academy (read my review), which was a mega-flop that took in only $7M in the States and $15M worldwide box office.

So many people saw and liked the movie that there’s an strong demand for a sequel (titled Frostbite), so much so that the official Facebook page has announced one – only if you pay for some of it.

We are excited to announce that we have raised the majority of our funds for FROSTBITE – but there is one small catch (we told you this wouldn’t be easy)…We need proof that the fans truly want to see the franchise continue,” they explain, “And so, we will be launching a crowd funding campaign and putting the power in your hands.

Frankly, I just wanna see more of Zoey Deutch in tight clothing.

More information is promised later this week.

Rose loves Dimitri, Dimitri might love Tasha, and Mason would die to be with Rose…
It’s winter break at St. Vladimir’s, but Rose is feeling anything but festive. A massive Strigoi attack has put the school on high alert, and now the Academy’s crawling with Guardians—including Rose’s hard-hitting mother, Janine Hathaway. And if handto- hand combat with her mom wasn’t bad enough, Rose’s tutor Dimitri has his eye on someone else, her friend Mason’s got a huge crush on her, and Rose keeps getting stuck in Lissa’s head while she’s making out with her boyfriend, Christian! The Strigoi are closing in, and the Academy’s not taking any risks…. This year, St. Vlad’s annual holiday ski trip is mandatory.

But the glittering winter landscape and the posh Idaho resort only create the illusion of safety. When three friends run away in an offensive move against the deadly Strigoi, Rose must join forces with Christian to rescue them. But heroism rarely comes without a price…

Keep up with the crowd-spourcing campaign here.

Vampire Academy

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Movies

‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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