Movies
‘Rocky Horror’ Fav Barry Bostwick Stars In ‘The Devil’s Carnival: Alleluia’
So much for our exclusive as Deadline dropped the full cast for Darren Lynn Bousman’s now-filming The Devil’s Carnival: Alleluia.
The sequel boasts an impressive line-up that includes surprises such as Rocky Horror Picture Show‘s Barry Bostwick, Jesus Christ Superstar himself Ted Neeley, Rent‘s Adam Pascal, and “Baywatch‘s” David Hasselhoff.
Returning officially are Paul Sorvino, Terrance Zdunich, rapper Tech N9ne, Emilie Autumn, Briana Evigan (Burning Bright, Sorority Row, Step Up All In), Marc Senter (The Lost), and Dayton Callie (“Sons of Anarchy”).
Musicians Chantal Claret, Jimmy Urine of Mindless Self Indulgence, Shawn “Clown” Crahan of Slipknot, and Kevin “Ogre” Ogilvie from Skinny Puppy round out the ensemble of carnies and lost souls whose paths cross at a theme park.
Alleluia continues the saga and sees the forces of Heaven and Hell face off in a showdown.
Zdunich wrote the script and co-wrote the musical numbers with Saar Hendelman.
Producers are Chris M. Bonifay and Sean E. Demott. Brian Perera is executive producer.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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