Comics
‘Dredd 2’ Is Dead and Petitioning Won’t Do a Damned Thing About It…
Promoting his sci-fi festival flick, Ex Machina, Dredd screenwriter Alex Garland spoke to IGN about a sequel to the comic adaptation that starred Karl Urban as the title character.
There always seems to be some sort of news regarding a sequel to Lionsgate’s 2012 film, but never anything promising. In fact, Garland goes on to say the project is dead in the water.
“As far as I’m concerned? Yeah it is [dead]. My hope is, and I actually think this will happen – somebody else will do it. Not to be all coy and silly about it, but I think our film was better than the first one, right? Just to be blunt. And the job of the next people is to make their film better than ours. And then if they do that, then finally, maybe this character will break out in the way that it deserves to. But we’ll see.”
Had they continued with a follow, here’s a taste of what might have been…DARK JUDGES!
“The first film we made it for about $35m, although quite a lot of that was to do with shooting it in 3D. Or a chunk of it. And we managed to make that film for that budget by locking it in a building essentially, sort of Die Hard-style. In the second film it was going to go out into the desert, which would be The Cursed Earth – people who know the comic book would know immediately what that means. And maybe throw some money at some key sequences. That’s how you do it I guess. I think we could have made it for another $30m, $35m type thing. We could have made it for $30m if we shot it in 2D. $35m maybe 3D I guess. Of that order. But the third one that would have been more expensive, because it would have been going back to the city and maybe bringing in some Dark Judges or something like that.”
Here’s my favorite part. Garland exclaims that the petitions are a waste of time, something I’ve been telling readers for years. It sucks, but a petition is voting with your dollar. If people wanted to see a Dredd so badly they should have caught it in the theater and picked it up on home video.
“It makes me feel sad really. I feel grateful to the people who’ve attempted to get a sequel off the ground. And sorry that actually what happened was we let them down. Because the reality is that a film needs to acquit itself. It shouldn’t need a petition. And the truth is if it gets to the point where it needs a petition, it’s in big trouble anyway. That’s the cold hard reality of it. I feel a sense of residual guilt. It’s quite strong actually; it’s not that residual. Dredd was a very, very hard movie to work on, for all sorts of different reasons, and the reward would have been at the end of it that it all worked out. But it didn’t all work out. That’s the reality.”
Comics
‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics
Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.
Look for the new Witchblade series to launch on July 17, 2024.
In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”
The series is penned by NYT Best-Selling writer Marguerite Bennett (Animosity, Batwoman, DC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide Squad, Power Rangers, Red Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”
Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”
“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.
Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”
Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.
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Cover A: Marc Silvestri and Arif Prianto (Full Color)
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Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)
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Cover C: Blank Sketch Cover
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Cover D (1/10): Dani and Brad Simpson (Full Color)
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Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)
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Cover F (1/50): J.Scott Campbell (Full Color)
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Cover G (1/100): Bill Sienkiewicz. (Full Color)
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Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)
Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.
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