Movies
The First Four ‘Saw’ Films Now On Netflix Instant
For whatever reason, Lionsgate is holding back the second batch of Saw films from Netflix Instant, but has just now released the first four in the franchise that spanned from 2004-2010.
James Wan and Leigh Whannell’s SAW played the 2004 Sundance Film Festival before blasting through the October box office. It quickly had Lionsgate scrambling for a new director to take the reigns for its sequel, which would find Darren Lynn Bousman behind the helm for the next three.
What I find so bizarre about the Saw franchise is that a lot of you grew up watching it hit theaters, and are now adult readers here on Bloody Disgusting. A lot of the younger generation hasn’t even seen them all yet! What’s the next big thing? We’re all sitting and waiting. Until then, Lionsgate will ponder whether Saw needs a sequel, remake or television series.
SAW (read the review)
Saw II (read the review, and another)
Saw III (read the review)
Saw IV (read the review)
Saw V (read the review)
Saw VI (read the review)
SAW 3D (read the review)
Image Source: Lionsgate/Twisted Pictures
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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