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Screen Gems Brings ‘Pride and Prejudice and Zombies’ and ‘Patent Zero’ to #SDCC

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Pride and Prejudice and Zombies, image via Sony Screen Gems

Screen Gems will premiere exclusive first look footage from Pride and Prejudice and Zombies, as well as Patient Zero during its Hall H film panel on Saturday, July 11th, Bloody Disgusting learned.

Moderated by Entertainment Weekly’s Dalton Ross, the Pride and Prejudice and Zombies panel will feature talent from the film including Lily James, Sam Riley, Bella Heathcote, Douglas Booth, Jack Huston, and Matt Smith, along with director Burr Steers, and the book’s author Seth Grahame-Smith.

[ALL San Diego Comic-Con News Located Right Here!]

Screen Gems will also be debuting exclusive first look footage from Patient Zero during the same panel which the film’s stars Matt Smith and Natalie Dormer will present along with the film’s director Stefan Ruzowitzky and screenwriter Mike Le.

Pride and Prejudice and Zombies, pictured above, opens in theaters February 19th, 2016. “This mash-up that begins with the tangled relationship between lovers from different social classes in 19th century England, and is complicated by a full on outbreak of zombies.

In Patient Zero, “An unprecedented global pandemic of a super strain of rabies has turned the majority of humankind into highly intelligent, streamlined killers known as ‘The Infected.’ One victim, Morgan (Matt Smith), who is asymptomatic and can communicate with the infected, leads the last survivors on a hunt for Patient Zero and a cure.

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Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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