Movies
Richard Stanley Returns to Adapt H.P. Lovecraft Story
Amazing news to report as Richard Stanley (Hardware) is coming back to the director’s chair after almost 25 years to write and direct an adaptation of H.P. Lovecraft’s “The Colour Out of Space”, according to EW. Currently titled Color Out of Space, the story will focus on, “…a meteorite that drives people insane.”
Indie-horror company SpectreVision is producing the film and co-founder Daniel Noah, in an official statement, explained, “H.P. Lovecraft is the undisputed father of literary horror, and yet, bafflingly, there has yet to be a cinematic treatment that captures the dark beauty of the man’s oeuvre. Richard Stanley’s note perfect adaptation of Color Out of Space represents an epiphany for me — as it no doubt will be for legions of Lovecraft devotees around the world.”
Stanley himself stated, “There needs to be a scary Lovecraft movie. I want to make a bad trip film and ‘The Colour…’ definitely has what it takes to be a very, very bad trip indeed.”
Stanley has directed documentaries and short films since 1992’s Dust Devil but, as stated previously, this will be his first return to feature length films.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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