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Why ‘The Conjuring 2’ Made Me Cry

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This month has been awful, and I mean awful. Two weeks ago I lost both of my jobs (in one day through, no fault of my own, and was given no explanation). Then, last week, as I was driving to an interview, I was basically run off the road, which left my car un-drivable. These things, coupled with the fact that I’m getting married in September, have really thrown me for a loop. In the 10+ years I’ve been working I’d never been fired before, and certainly not twice in one day. My ego is bruised, my stress levels are through the roof, and I  haven’t written anything in a while. It sucks.

After a long couple weeks of lying around my apartment and filling out numerous applications and assessments, I had to get out and be a part of the world again, even if I didn’t want to. A friend and I went to see James Wan’s highly anticipated sequel, The Conjuring 2, and while I was expecting to enjoy it, I was not expecting to find love, happiness, and solace in it.

Admittedly, there’s not much that James Wan has done in horror that I haven’t enjoyed to some extent but his work chronicling the cases of Ed and Lorraine Warren have been his best. They’re scary with just enough humor sprinkled throughout to temporarily alleviate the exquisite dread that is built in each film. In short, I loved it. While I didn’t think it was as scary as the first, I found it to be a deeply immersive film with incredible set design, direction, and performances.

This isn’t a review or even an op-ed, I guess. It’s more of a letter or musing on Wan’s (and the writers’) ability to take characters, both fictional and real, and make the audience care about them. Further, it’s also about how horror can really help you remember what you’re most thankful for.

Ed and Lorraine Warren investigated countless cases and whether you believe they were actually fighting off supernatural evil or not doesn’t matter. What does matter is how these two are portrayed. Twice in the film, a story is told by both characters who’re brilliantly performed by Patrick Wilson and Vera Farmiga. They are speaking to a girl who is being tormented by demonic spirits and has lost all of her friends because of it; it’s a tale is about finding the one person who believed them out of all the naysayers they had encountered over the years. It ends like this (spoiler):

“…You know what I did next?”

“What?”

“I married him…”

…or her, depending on who’s telling the story. At that point, while I sat in a dark theater, I felt my throat tighten and my eyes beginning to well up. “Am I going to cry during The Conjuring 2?,” I thought. I fought the tears and soon the next supernatural episode came and I was back to normal. But later on, during a scene in which Ed sings Elvis’ “Can’t Help Falling In Love” (to bring a bit of happiness to a terrified family), I couldn’t hold it in anymore. Patrick Wilson looked at Vera Farmiga in such a comforting and loving way that it made me entirely lose it. I sat and let the tears silently stream down my face because James Wan, Patrick Wilson, and Vera Farmiga reminded me how lucky I am to have my fiance, especially during these times.

The Conjuring 2 isn’t just about scaring us or bringing back the feeling of the great ghost films of decades past; it’s about showing the audience that bad things happen to good people, but they can also be fought off by the good as well…and that having at least one person who can be there for you, even at your very worst, is one of the best things that life can offer.

Did going to the movies make all my problems go away? No. Did it get me a job or fix my car? No. But for two hours, at the end of a really terrible couple of weeks, it reminded me that I am loved and lucky to have someone who believes me. And you know what I’ll do next?

Jess is a Northeast Ohio native who has loved all things horror and fringe since birth. She has a tendency to run at the mouth about it and decided writing was the only way not to scare everyone away. If you make a hobby into a career it becomes less creepy. Unless that hobby is collecting baby dolls. Nothing makes that less creepy.

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Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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