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[Vintage Video] Watch ‘An American Werewolf in London’ Win First Makeup Award at ’82 Oscars

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An American Werewolf in London

Nominations for the 89th annual Academy Awards were announced this morning, and not surprisingly, not a single horror movie was nominated in a single category. We were foolishly holding out hope that maybe John Goodman would nab an acting nomination or The Witch would at least be nominated for a production award, but alas, the genre was snubbed once again.

Though horror is often ignored by the Academy, that isn’t always the case. There are exceptions to every rule, and perhaps the single greatest win for the genre – aside from, of course, Silence of the Lambs winning Best Picture – took place in 1982. At that year’s ceremony, a new award was created to recognize the year’s Best Makeup, and Vincent Price was on hand to present the statue.

The presentation began with a series of clips from movies with incredible makeup effects work, including horror films such as The Phantom of the Opera, The Exorcist, and even The Howling; the clips package was basically the Academy’s way of catching up and recognizing films that would’ve won the award had it been around years prior. The award was introduced as being, in Price’s own words, “not only for the grotesque makeups or the macabre, but also for the subtle delicacy of shading and highlighting features: an art that goes back to the ancient Egyptians.”

The nominees that year were Rick Baker for An American Werewolf in London and Stan Winston for Heartbeeps. Seemingly against all odds, it was the horror movie that actually won the very first Best Makeup Oscar, with Baker accepting the award for his mind-blowing effects work in An American Werewolf in London – effects that still blow the mind to this day, 35 years later.

Yes, Baker’s effects in An American Werewolf in London were so damn good that they compelled the Academy to finally recognize makeup every year from that point forward!

Baker has gone on to be nominated in *his* category 11 times and he won 7 of those times, making him the most winning and most nominated makeup artist in the history of the Academy Awards. He also won the award for Harry and the Hendersons, Ed Wood, The Nutty Professor, Men in Black, How the Grinch Stole Christmas, and the 2011 version of The Wolfman.

Travel back in time and watch Price present Baker with the first makeup Oscar in 1982!

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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AreYouWatching.com: ‘The Watchers’ Interactive Website Is Full of Creepy Easter Eggs

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Are you watching? Ishana Night Shyamalan has clearly been paying attention to her father, M. Night Shyamalan. Not only is she following in his footsteps as a filmmaker, but she’s also embracing a similar mystique surrounding her work.

The new trailer for her feature directorial debut, The Watchers, gives viewers a taste of what’s in store. AreYouWatching.com has launched with even more clues.

Visit the site to join the mysterious creatures that lurk in the Irish forest as you observe a shelter. From the time the sun sets at 7:30 PM until it rises at 5:55 AM, four strangers played by Dakota Fanning, Georgina Campbell, Oliver Finnegan, and Olwen Fouere can be seen trapped inside.

You’ll find several interactive items. Click on the gramophone to set the mood with some spooky music. Tap on the birdcage to hear an ominous message from the parrot inside: “I’m going out, try not to die.” Press on the TV to watch clips from a fake reality show called Lair of Love. And if you tap on the window during the daytime … they’ll tap back.

There are also Easter eggs hidden at specific times. We’ve discovered three: a disorienting shot of Fanning’s character’s car at 5:52 PM, a closer view of the captives at 11:11 PM, and a glimpse of monitors at 12:46 AM. Let us know if you find any more in the comments…

The Watchers opens in theaters on June 14 via New Line Cinema. Ishana Night Shyamalan writes and directs, based on the 2022 novel of the same name by A.M. Shine. M. Night Shyamalan produces.

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