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A Look at the Making of Netflix’s ‘Godzilla: Monster Planet’

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Arriving this November on Netflix is Godzilla: Monster Planet (Godzilla: Kaijū Wakusei), the new series is going to take place in the future. A new video goes behind-the-scenes of the making of the new animated feature, although it’s in Japanese and YouTube’s auto-translate feature doesn’t help in any way shape or form. Still, we get to see some of the human characters being designed as well as many of the film’s settings.

The last summer of the 20th Century. That day, the human beings learn that they are not the only ruler of the planet Earth.

The appearance of the giant living creatures “Kaiju’s” and the ultimate existence that destroys all monsters: Godzilla. Through the battle against kaiju’s that lasted for half a century, human beings has experienced continuous defeat, and finally plans to escape from the Earth. And in 2048, only those who were selected by the A.I. managed under the central government boarded the inter-sidereal emigrant spaceship “Aratrum” to head for “Tau Cetus e”, the planet beyond the distance of 11.9 light-year. However, the environmental condition differences between that of the Earth and Tau e, which they finally arrived after 20 years were far beyond the predicted numbers, and was not an environment considered to be habitable by human beings.

The young man on the emigrant ship: Haruo, who saw his parents killed by Godzilla in front of his eyes when he was 4 years old, had only one thing in his mind for 20 years: to return to the Earth and defeat Godzilla. Shut out from the possibility of emigration, as the living environment in the ship deteriorates, the group of “Earth Returnists” led by Haruo became the majority, and determines to head back to Earth through a dangerous long-distance hyperspace navigation. However, the Earth they have returned has already passed the time of 20,000 years, and has become an unknown world with the ecosystem reigned by Godzilla.

At the end, will human beings win back the Earth? And what will Haruo see beyond his fate?

Here’s what I find immensely interesting about this story; it’s a bit full circle on humanity. The dinosaurs died millions of years ago, and now in the future they’ve once again become the rulers. Having the series take place way in the future is also unique and something that should work well as an animated series; it’s clearly not something any of us would want to see in a live-action film.

Directed by Kobun Shizuno and Hiroyuki Seshita, it’ll be the very first anime film in the Godzilla franchise. The voice cast for the Gen Urobuchi-penned film includes Yuuki Kaji, Takahiro Sakurai, Mamoru Miyano, Junichi Suwabe, Kana Hanazawa and Tomokazu Sugita.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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