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Jason Statham Says ‘Meg’ is ‘Jaws’ Meets ‘Jurassic Park’

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In related news, I already have a new favorite movie.

After years of killer shark movies being relegated to the Syfy network, last year’s The Shallows seems to have burst open the floodgates. And I couldn’t be happier. Next summer will see the release of director Jon Turteltaub’s Meg, an adaptation of Steve Alten’s terrifying same-named novel. Jason Statham is the star, and he just spoke a bit about the film on the Jim & Sam Show.

Statham told hosts Jim Norton and Sam Roberts:

I just did a movie about a shark. It’s a cross between, I’d say, Jaws and Jurassic Park. It turned out really good. I mean, apparently. We don’t know until we see it. It’s called Meg, as in megalodon. 

Interesting to note that Statham was asked if the film was in 3D and he responded “probably.” We previously heard that it would be released in 3D, but this suggests it wasn’t shot in 3D.

Statham, by the way, is not a fan of 3D. The glasses bother him. Me too, Jason. Me too.

Meg will swim into theaters on August 10, 2018.

Alten himself promises the film will be edge-of-your-seat scary.”

In Meg

A deep-sea submersible—part of an international undersea observation program—has been attacked by a massive creature, previously thought to be extinct, and now lies disabled at the bottom of the deepest trench in the Pacific…with its crew trapped inside. With time running out, expert deep sea rescue diver Jonas Taylor (Statham) is recruited by a visionary Chinese oceanographer (Winston Chao), against the wishes of his daughter Suyin (Li Bingbing), to save the crew—and the ocean itself—from this unstoppable threat: a pre-historic 75-foot-long shark known as the Megalodon. What no one could have imagined is that, years before, Taylor had encountered this same terrifying creature. Now, teamed with Suyin, he must confront his fears and risk his own life to save everyone trapped below…bringing him face to face once more with the greatest and largest predator of all time.

Rounding out the international main cast of Meg are New Zealander Cliff Curtis (The Dark Horse, Risen, TV’s Fear the Walking Dead), Rainn Wilson (TV’s The Office, Super), Ruby Rose (xXx: Return of Xander Cage, TV’s Orange is the New Black), Winston Chao (Skiptrace, Kabali), Page Kennedy (TV’s Rush Hour), Jessica McNamee (The Vow, TV’s Sirens), Ólafur Darri Ólafsson (The BFG, TV’s The Missing), Robert Taylor (Focus, TV’s Longmire), Sophia Shuya Cai (Somewhere Only We Know), and Masi Oka (TV’s Hawaii Five-0, Heroes).

Jon Turteltaub directed the film from a screenplay by Dean Georgaris and Jon Hoeber & Erich Hoeber, based on the New York Times best-selling book by Steve Alten. Lorenzo di Bonaventura (the Transformers films), Belle Avery (Before the Devil Knows You’re Dead) and Colin Wilson (Suicide Squad, Avatar) are producing the film, with Wayne Wei Jiang, Randy Greenberg, Barrie M. Osborne and Gerald R. Molen serving as executive producers.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Movies

‘Drop’ – Violett Beane Joins the Cast of Christopher Landon’s New Thriller

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Pictured: Violett Beane in 'Death and Other Details' (2024)

Christopher Landon (Happy Death Day, Freaky) is staying busy here in 2024, directing not only the werewolf movie Big Bad but also an upcoming thriller titled Drop.

The project for Blumhouse and Platinum Dunes is being described as a “fast-paced thriller,” and Deadline reports today that Violett Beane (Truth or Dare) has joined the cast.

Newcomer Jacob Robinson has also signed on to star in the mysterious thriller. Previously announced, Meghann Fahy (“White Lotus”) will be leading the cast.

Landon recently teased on Twitter, “This is my love letter to DePalma.”

Jillian Jacobs and Chris Roach wrote the script.

Michael Bay, Jason Blum, Brad Fuller and Cameron Fuller — “who brought the script in to Platinum Dunes” — are producing the upcoming Drop. Sam Lerner is an executive producer.

THR notes, “The film is a Platinum Dunes and Blumhouse production for Universal.”

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