Connect with us

Podcasts

[Horror Queers Podcast] Who Works the Holes and Who Does the Fingering in ‘Alien: Covenant’?

Published

on

Alien Covenant

After leaving the world of camp behind in October, we began November on a slightly different note. Just last week, we celebrated the 25th anniversary of Interview With the Vampire with a look at the homoerotic subtext between Louis (Brad Pitt) and Lestat (Tom Cruise) and this week we’re looking at the homoerotic text between Walter (Michael Fassbender) and David (Michael Fassbender) in Ridley Scott‘s 2017 sequel Alien: Covenant

In the film, the crew of a colony ship discovers an uncharted paradise with a threat beyond their imagination and makes the dunderheaded decision to colonize there, and must attempt a harrowing escape.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInLibsynGoogle Play, and RSS.


Episode 48 – Alien: Covenant (2017)

It’s time to hop aboard the Covenant and head over to Origae-6….oops! We mean this random mystery planet that didn’t show up on any of our scans! But hey, it’s probably fine, right? Joining us for our colonization mission is Drew Dietsch, co-host of the GenreVision and Fin Flicks podcasts!

After kicking things off with a debate on who will work the hole and who will do the fingering, the trio dive into the long and convoluted history of how Prometheus led to Alien:Covenant. Why does it feel like two films? Why is the CGI so bad? Why can we not tell any of these characters apart? Why does the movie think we will feel bad about their deaths if their spouses do? We will try to answer these questions in what is admittedly a super-sized episode, but hey, at least it’s pretty.

And if there’s one thing that’s certain, it’s that Ridley Scott needs to shut the fuck up. 

In this week’s game: Put an android in a horror movie!


Cross out Alien: Covenant!

Coming up on Wednesday: We’re deviating from our standard M.O. to discuss the colorful black comedy (that was almost a horror film) of Darren Stein‘s Jawbreaker!

– Joe & Trace

P.S. Be sure to check out all of our online articles right here.

P.P.S. As an added bonus, if you subscribe to our Patreon you can listen to our full-length bonus episodes on Doctor Sleep and Primal (aka Nicolas Cage vs. a jaguar on a boat).

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Podcasts

‘Death Becomes Her’ and the Horror of Aging [The Lady Killers Podcast]

Published

on

“This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.”

Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking what they would do for eternal youth – and what will be the hidden cost?

Madeline (Meryl Streep) and Helen (Goldie Hawn) are old frenemies with a history of vicious competition. Madeline seems to have won the most recent battle and married Helen’s fiance Ernest (Bruce Willis), but decades later, their marriage is on the rocks and Madeline’s once thriving career is now a thing of the past. When Helen returns with a stunning new look, Madeline turns to unorthodox methods to maintain her feminine dominance. She drinks a potion designed to give her eternal youth, but returns home to find her life turned upside down by her downtrodden husband and jealous “friend.” Having both taken the potion, “Mad” and “Hel” engage in a bitter fight to the death over years of petty snipes and the right to claim the title of Most Desirable Woman.

In their latest episode, The Lady Killers dissect these two glamorous killers and the hidden social commentary in Zemeckis’ iconic film. Co-hosts Jenn AdamsMae Shults, Rocco T. Thompson, and Sammie Kuykendall dish over their own fears of aging, choose their favorite diva, and decide whether they would take the potion should they ever find themselves in Lisle’s (Isabella Rossellini) lavish home. How does the film hit differently when watching as an adult? Could Madeline, Helen, and Ernest ever make a polycule work? Is Lisle a hero or a villain and how does she keep that gorgeous necklace in place? They’ll wrestle with these questions and more in a podcasting shovel battle to the death on this unique horror comedy and one of the most glamorous casts of all time.

Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.

Instagram | Twitter 

Continue Reading