Who would have thought that the savior of the slasher sub-genre
would be coming out of France? I don’t remember the last time I
saw a French horror film unless you want to count Irreversible.
Switchblade Romance is the single most exciting slasher film to
come out in a very long time.
The premise consists of a woman named Marie who accompanies her
friend, Alex to her family’s isolated house somewhere in the
countryside. But by nightfall, Alex and the family are
terrorized by a mysterious delivery man. This unforgettable
nightmare begins and never lets the viewer go right up to the
final frame.
Switchblade Romance is a hardcore slasher flick. It’s
uncomproming and unrelenting. The film goes where no modern
American horror film dares to go. It’s never once politically
correct, and it’s proud of it. The film falls under the
traditions of such classics like Maniac and The Texas Chainsaw
Massacre. It’s refreshing to see violence get under an
audience’s skin in the way that Switchblade Romance does with no
difficulty. Make no mistake, this film is very violent. It is
not for the faint of heart. I haven’t seen a film in recent
memory with the power to shock and disturb like this. Gore fans
will be happy to know that this film is bloody as hell, and the
violence is quite inventive and refreshingly vicious. If you
thought that the outcome from the opening death in Jeepers
Creepers 2 bothered you than you haven’t seen anything
yet.
Another rare bonus is how smart and methodical the
protagonist actually is. Just when you think you know where
it’s going to go, the killer comes up with a clever trick up his
sleeve. Actor Philippe Nahon delivers the most memorable
murderer performance in years. He is sadistic but adds some
great nuances that make him unique from the rest. The heroines
played by Cécile de France and Maïwenn are also very impressive.
They are not like your average one-dimensional horror victim.
These ladies contain a surprising amount of depth. Overall, all
the performances feel believable.
The film also contains the most brilliant score I’ve
heard in a long time. It is in the tradition of the 70′s horror
classics with a touch of Goblin from Argento’s work. The sound
effects and music are combined to create a very intense and
creepy experience. The look of the film has a stylish but raw
70′s feel, with the camera work being terrific at all
times.
Director Alexandre Aja’s first entry into the genre is a highly
accomplished piece of work. Right from the film’s commanding
opening title sequence, you know you’re in the hands of a
master. Aja handles the suspense with remarkable confidence but
at the same time he never lets up the film’s locomotive pace.
Every set piece raises the bar another notch. They are
intelligently mounted and the way that the atmosphere is created
is delivered with a great amount of detail. The horror genre’s
use of a buzz saw will never be the same again. You’ll
see.
At a time when American horror cinema is nothing more
than forgettable, safe entertainment, Switchblade Romance
re-energizes the genre. It takes the viewer back to a time
where it wasn’t about special effects, easy answers, or PG-13
ratings. Alexandre Aja has given us the most visceral, primal
and brutal piece of cinema in ages. It will keep you on the
edge of your seat from its start right up to its shocking
revelation. Hopefully North American audiences will get the
chance to witness it first hand instead of yet another watered
down Hollywood remake.
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