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[Review] ‘Trick ‘r Treat’ Is An Instant Cult Classic

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I know this is going to sound like a backhanded compliment, but I really didn’t expect Michael Dougherty’s Trick ‘r Treat to be as good as it was. Not only was this Dougherty’s feature directorial debut, but it’s a film that tells four different stories intermingled into one… for most this would mean instant disaster, for Dougherty it means instant cult classic.

Treat takes place in an unnamed town during All Hallows Eve (Halloween) where four groups of people all have their own unique, yet terrifying story to tell. One follows Dylan Baker and his son who have too much fun with trick or treaters; then Anna Paquin and her friends lour a bunch of guys to the forest for a night of partying; all the while a group of kids are taking pumpkins to the site of a bus crash where the spirits of the dead are said to be haunting; lastly, an old-bitter man (Brian Cox) gets visited by a costumed boy named Sam (who becomes an instant horror icon) who teaches him the seriousness of the holiday.

Dougherty has been trying to get this film off of his artwork and into theaters for a long, long time now… it was worth the wait. The best way to describe Trick ‘r Treat is that it reminds me of a live-action Nightmare Before Christmas, or a film that takes place in the same world. The character designs are colorful, unique and completely unnerving, especially the final ‘creature’, Sam, who torments the old man. The gorgeous set design only added to the atmosphere of the film, really bringing this artists vision to life. Welcome to Michael Dougherty’s world.

Dougherty’s screenplay was extremely well written as the conversations were realistic and there wasn’t a single taste of cheese to be found… it was all sweet as sugar. Not only was he able to mingle together four intricate stories into one feature film (without breaking into segments like Creepshow), but he also threw in homage after homage to some of our favorite old-school horror films (Evil Dead 2, The Thing).

The film ends extremely strong and I could hear the audience really soaking it in; they were screaming, laughing, jumping, chattering and hooting as the final scenario unfolds. The audience is very representational of what type of film this truly is… in short, Trick ‘r Treat is F-U-N. It’s a trip back to the ‘80s when the goal was to excite and entertain, not torment you. Dougherty’s film is the type of movie you can bring anyone to, whether it’s a date or your kid. It’s not overly violent or too funny, it’s as Goldie Locks says “just right!” This is the type of film that will ensure you forget about all your worries and will captivate you until the very end (maybe even bring back the spirit of the holiday, which feels long lost).

With all sorts of uber-violent movies hitting theaters every October, this is a horror film made for every single person who enjoys going to the cinema. And don’t count on seeing it only once, you’ll find yourself watching sucker every Halloween until the day you die.

Editor’s Note: review cleaned up on Oct. 29. 2018.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Dev Patel’s ‘Monkey Man’ Is Now Available to Watch at Home!

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monkey man

After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.

You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!

Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.

Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”

“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.

She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”

Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.

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