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[Review] Generic ‘Pandorum’ is Strictly for Genre Fans

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The Christian Alvart-directed sci-fi horror Pandorum is far from a bad movie, but it’s so incredibly generic that it’s hard to recommend to anyone outside genre fans looking forward to seeing it.

In the film, both Payton (Dennis Quaid) and Bower (Ben Foster) wake up on a ship with no memory as to why they are there. It’s explained that when in hypersleep for a prolonged period of time, it takes the brains some time to retain some memories. There’s something wrong with the power. Bower figures out he’s the engineer and needs to fix the generator. He heads off to find the generator while Payton stays back to take control. Along the way memories unravel, other survivors are met and creatures emerge. Is it all for nothing, or is there a greater cause hiding at the end of the dark rainbow?

While the entire movie is incredibly cliché, the one thing that really nearly makes this worth checking out is the overall concept and where the finale takes us. I guess you can say it’s a quasi-Planet of the Apes concept, although they don’t end up on their own planet (you’ll have to see it to find out). And while the movie doesn’t do anything all that new, it is quite entertaining for the duration of the film, sans a few pacing issues.

And while Dennis Quaid continues to star in mediocre movies (G.I. Joe, The Horsemen), it is always nice to see him toplining a new genre pic. Ben Foster is always underappreciated as he really does carry the weight of the film on his shoulders. Antje Traue is incredibly underused as the strong female lead as she doesn’t enter the picture until halfway through. She’s tough and can kick some ass, but it’s all underplayed to her role as the character that explains what’s going on (she deserved more than this). During these scenes, the exposition becomes a bit heavy and brings the film to halt, although Alvart gets things moving quickly thereafter.

Even though Pandorum features a concept not all that appealing to the general public, and a cast of pretty much unknowns, the real killer is the way Alvart shot the creatures. First, we see way too much of the monsters, which immediately undermines the fear. Second, he shoots them in a choppy, unearthly way, because, you know, creatures on a spaceship defy physics and gravity.

Again, Pandorum isn’t all that bad, it just isn’t good either. Fans of films like Event Horizon, Alien 3, and Resident Evil are sure to get their money worth, but I feel anyone outside of the “horror club” is sure to be disappointed. Proceed with caution.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Dev Patel’s ‘Monkey Man’ Is Now Available to Watch at Home!

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monkey man

After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.

You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!

Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.

Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”

“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.

She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”

Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.

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