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Lost Boys The Thirst (V)

“While there is a lot to like about this sequel, it adds nothing new to the genre. The Thirst is a basic horror comedy vampire procedural.”

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The Frog brothers are back together for the first time since 1987 in the third installment of the Lost Boys franchise. After the abortion of a film that is The Tribe, many horror fans (myself included) were decidedly cautious about The Thirst. Is it even worth another go? Should fans stick with the original? Pretend the sequels weren’t made? Well, surprisingly The Thirst is a lot of bloody goofy fun.

Edgar Frog is down on his luck. With most of his close friends dead or turned, his rent past due, and little to no discernable skills outside of a grufftastic voice, it’s safe to say the Edgar has seen better days. Enter Stephanie Meyer, err, Gwen Lieber, a writer of crappy romantic vampire novels, whose brother was kidnapped by real vampires. The kind that don’t sparkle. Gwen recruits the old vampire hunter and a rag-tag crew including a douchebag reality actor and a comic book clerk to help save her little brother.

While the vampires aren’t as worthless as they are in Twilight books, they are by no means frightening or badass. The lead vampire is a big-time DJ who is still into raves. In fact, it’s his big rave in San Cazador that serves as climax of the film. Hey, 1999 called and it wants it glow sticks back. The vampires are also into skydiving, some of them do this while wearing 5-inch heels. As grandpa would say (if he was still around), “If there’s one thing I hate about San Cazador, it’s all the damn skydiving vampires.”

The best moments come from Feldman’s over-the-top cheesy dialogue. The film is presented with much less gravitas than the prior sequel. And that’s a good thing. Feldman’s character in the first film was mostly comic relief. It only makes sense that the film should have plenty of fun with him in the lead role. And the Feldster does deliver several great lines. One of my personal favorites being, “Vampires are like ten times stronger than grizzly bears.” His comedic timing is spot on and his random grunts are sure to please.

If you are looking for gore and boobs, The Thirst delivers both in spades. Plenty of blood flows, squirts, and oozes all over the screen. The deaths are pretty decent and feature everything from live heart removal to weird spikey grenade thing. Yes, Edgar brings plenty of new “toys” to play with at the vampire killing party. And as mentioned, several sets of breasts are freed from the tyranny of the shirt.

While there is a lot to like about this sequel, it adds nothing new to the genre. The Thirst is a basic horror comedy vampire procedural. Some of the acting is lame as well as almost the entire plot. But, unlike the abomination that was The Tribe, this film recaptures some of what made the The Lost Boys such an enjoyable watch. Not a whole lot of it, mind you, but just enough to make it worthy of a view.

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Dev Patel’s ‘Monkey Man’ Is Now Available to Watch at Home!

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monkey man

After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.

You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!

Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.

Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”

“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.

She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”

Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.

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