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[TIFF ’14 Review] ‘I Saw the Devil’ Dark and Demented!

“I could talk for hours about I Saw the Devil, but nothing I can say will ever do it justice. The film is an experience; it’s something that will have you emotionally invested in the characters, while also covering your eyes at the extreme violence.”

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A challenger to Park Chan-wook as Korea’s most talented filmmakers is Kim Jee-woon, who directed such notable films as A Tale of Two Sisters, A Bittersweet Life and The Good, the Bad, the Weird. Jee-woon has been known to enjoy tackling different genres and this time takes a stab (pun intended) at horror with I Saw the Devil, a dark and demented tale of a crimson serial killer…and his hunter.

The delivered synopsis sums the film up quite well as it’s nothing original in any way, shape, or form, but what’s important is the execution. I Saw The Devil stars Choi Min-sik (Oldboy) as a psychopathic serial killer (Kyung-chul) up against Lee Byung-hun (Three… Extremes, G.I. Joe) as a special agent (Joo-yeon) whose fiancée becomes one of his victims. Lee’s cool-headed and intelligent character in turn becomes a monster in order to avenge the killing. In short, he is intent on torturing Kyung-chul by catching him, beating the crap out of him, and then letting him go. Then repeat.

A film like I Saw the Devil makes quality filmmakers stand out like a sore thumb. As cliché as the thriller is, it was captivating from start to finish, and features some of the most brilliantly directed sequences of the year. In an extremely tense moment, a beaten and wounded Kyung-chul luckily lands a cab ride in the middle of nowhere. The audience knows he’s a psychopath, but what we don’t know is he just landed in a cab with two other homicidal maniacs. The tension is cut with a vicious stabbing scene that’s directed in such a way I’ve never witnessed. As Kyung-chul stabs the living sh*t out of these people, the camera spins along the inside of the car for a good 30 seconds. It was so brilliantly executed that I couldn’t even tell you how it was done.

The version shown at TIFF was the director’s 7-minutes longer cut that we’re told will be released in the States by Magnet. Jee-woon never tones down the violence for the audience as he cuts right through an Achilles tendon, beats a person’s head in with a rock, and decapitates another. And while the gore level if off the chain, he shows restraint and never quite pushes it over the top.

What truly makes I Saw the Devil one of my favorite films of the year is that Jee-woon makes each and every frame of the two and a half hour film interesting. There’s not a single boring moment as the intensity of the situation rises exponentially until the very last frame. In fact, Jee-woon has a taste for the bizarre giving audiences an homage to classics such as The Texas Chain Saw Massacre. In one of the crazier moments we’re introduced to Kyung-chul’s brother who has a taste for red meat, and causing pain. As the two reunite, his brother chomps down human meat as they go eye-to-eye in a psychopathic staring contest.

I could talk for hours about I Saw the Devil, but nothing I can say will ever do it justice. The film is an experience; it’s something that will have you emotionally invested in the characters, while also covering your eyes at the extreme violence. I Saw the Devil has everything a horror fan could want, and more. It easily rivals The Host, Oldboy and other Asian thrillers of the past ten years. If Magnet releases this in theaters it’s highly recommended that you take some time out and look the Devil right in the eyes.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Do ‘Ready or Not’ and ‘Abigail’ Take Place in the Same Universe? Did You Spot This Connection?

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Abigail trailer

Both extremely bloody cat-and-mouse chases through massive mansions, Radio Silence’s horror movies Ready or Not and Abigail (now playing in theaters!) are certainly cut from the same cloth, but do they actually take place within a shared universe? It was a question the filmmakers were asked, and their response suggests that the answer to that question is YES.

Collider’s Perri Nemiroff asked the question of Radio Silence filmmakers Matt Bettinelli-Olpin and Tyler Gillett, who co-directed both 2019’s Ready or Not and this year’s Abigail. As they point out, an Easter egg nestled within Abigail confirms a shared universe connection.

Bettinelli-Olpin tells Collider, “There is a portrait in the background of one of the scenes [in Abigail] of Henry Czerny’s [character from Ready or Not].” Gillet chimes in to clarify, “It would be a grandfather. A great, great, great, great grandfather [of Czerny’s character].”

Bettinelli-Olpin adds, “There is a little bit of a tied universe to Ready or Not within the movie.”

ready or not abigail

Actor Henry Czerny played the character Tony Le Domas in Radio Silence’s crowd-pleasing hit Ready or Not, the owner of the Le Domas Gaming Dominion and patriarch of the Le Domas family. The film centers on the Le Domas family’s deal with the devil to build their fortune, which Samara Weaving’s character Grace of course finds herself paying the price for.

If the Le Domas family exists in the world of Abigail, as the aforementioned portrait suggests, then that would indeed indicate that both films exist within the same bloody universe!

And it would seem there’s a deeper connection between the Le Domas family and the Lazar crime family introduced in Abigail. Have fun playing around with that idea. We know you will!

We’ll get you started. Is it possible that Abigail’s father is Mr. Le Bail from Ready or Not…?

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

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