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Death Ship

“Overall, this is a mediocre haunted ship film that suffers from both poor writing and direction. There were some elements in this film that could have made it a positive watch, but in the end all we get is a film you won’t remember a month later.”

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One horror sub-genre that I have ALWAYS appreciated is haunted ships. There is just something about a ship itself that provides a bit of eeriness to me, most likely the fact that the ship out on the ocean, with no immediate help around. This worsens when the ship is haunted, and a true nowhere-to-run scenario is in full effect thanks to the vast ocean around the ship. Haunted ship films come seldom these days, so I was pretty stoked when I came across this film, especially because it is from 1980. Unfortunately, this flick did not amount to anything special, but it did have its moments…which were as rare as these films are.

Death Ship follows a group of people who survive a destructive collision with their cruise ship and another unknown object. After floating adrift for a while the encounter an old ship and desperately make the mistake of boarding the ship. The survivors have no idea that they have boarded a Nazi torture ship that has been circling the seas for years, and has no plans of allowing them to ever make it home alive.

I really planned on enjoying this one, seriously. I love these haunted ship flicks, and throwing in the classic 80s feel and vibe I figured to myself that I could not go wrong, but I did. From the get-go I was hooked on this flick, and expected this to come off much like Amado De Ossorio’s The Ghost Galleon with some creepy ghosts or other manifested forms of horror, but this one did not go that route. Instead we get a ship that has a mind of its own and toys with the survivors, which I did find some joy in but not many scares. Had this film gone in the direction of some visible Nazi ghosts then the already creepy atmosphere of an old abandoned ship surrounded by an eternal view of water would have really been put to good use. I blame this on both writing and direction, but more on writing. Sure good direction could have turned this into a positive watch, but it is a lot to ask for with this film, and good writing could have easily handed any mediocre director a much easier plate to work with.

This storyline did have some promise, and I thought the idea of this not merely being a Nazi war ship but a Nazi torture ship was pretty sweet. We do not get too much torture action though, and most of the torture references were subliminal and did not lead to the survivors themselves being tortured outright. The rest of the storyline is nothing special, and consists of the surviving captain being manipulated by the ship into doing its bidding against the rest of the survivors. That element as well was not written or executed very well, and came off a bit as a bore to me. Oh well. I guess there is a reason why I had never heard of this film before giving it a watch.

Overall, this is a mediocre haunted ship film that suffers from both poor writing and direction. There were some elements in this film that could have made it a positive watch, but in the end all we get is a film you won’t remember a month later.

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’28 Years Later’ – Ralph Fiennes, Jodie Comer, and Aaron Taylor-Johnson Join Long Awaited Sequel

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28 Days Later, Ralph Fiennes in the Menu
Pictured: Ralph Fiennes in 'The Menu'

Danny Boyle and Alex Garland (AnnihilationMen), the director and writer behind 2002’s hit horror film 28 Days Later, are reteaming for the long-awaited sequel, 28 Years Later. THR reports that the sequel has cast Jodie Comer (Alone in the Dark, “Killing Eve”), Aaron Taylor-Johnson (Kraven the Hunter), and Ralph Fiennes (The Menu).

The plan is for Garland to write 28 Years Later and Boyle to direct, with Garland also planning on writing at least one more sequel to the franchise – director Nia DaCosta is currently in talks to helm the second installment.

No word on plot details as of this time, or who Comer, Taylor-Johnson, and Fiennes may play.

28 Days Later received a follow up in 2007 with 28 Weeks Later, which was executive produced by Boyle and Garland but directed by Juan Carlos Fresnadillo. Now, the pair hope to launch a new trilogy with 28 Years Later. The plan is for Garland to write all three entries, with Boyle helming the first installment.

Boyle and Garland will also produce alongside original producer Andrew Macdonald and Peter Rice, the former head of Fox Searchlight Pictures, the division of one-time studio Twentieth Century Fox that originally backed the British-made movie and its sequel.

The original film starred Cillian Murphy “as a man who wakes up from a coma after a bicycle accident to find England now a desolate, post-apocalyptic collapse, thanks to a virus that turned its victims into raging killers. The man then navigates the landscape, meeting a survivor played by Naomie Harris and a maniacal army major, played by Christopher Eccleston.”

Cillian Murphy (Oppenheimer) is on board as executive producer, though the actor isn’t set to appear in the film…yet.

Talks of a third installment in the franchise have been coming and going for the last several years now – at one point, it was going to be titled 28 Months Later – but it looks like this one is finally getting off the ground here in 2024 thanks to this casting news. Stay tuned for more updates soon!

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