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Battle: Los Angeles

“While the idea of an alien attack in absolutely terrifying, ‘Battle’ comes off more like a summer action movie with a massive scope and insane visual effects… [It] is like a wicked mix between the “Call of Duty” and “Gears of War” video games; it’s absolutely intense, face-paced and relentless.”

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It’s almost as if Independence Day is a spoof of Battle: Los Angeles, a dead serious take on the end of the world brought on by an unexpected alien attack.

While the movie is obviously fantastical, the historical elements that inspire Jonathan Liebesman’s vision of the future make it all somewhat unnerving. The teaser posters asked us to report a threat, while displaying actually photos of UFO sightings over the past 60 years. And any conspiracy enthusiast will tell you that the movie itself, penned by Christopher Bertolini, carries an array of real-life references that make it feel all too believable, albeit absolutely ridiculous.

Taking character cues from James Cameron’s Aliens, Battle: Los Angeles follows a Marine platoon – Aaron Eckhart, Michelle Rodriguez, Will Rothhaar, Cory Hardict, Jum Parrack, James Liao, Ne-Yo, among others – who end up in the middle of a worldwide war between man and invader. The film focuses on our main group, while offering small-references to what’s going on globally.

While the idea of an alien attack in absolutely terrifying, Battle comes off more like a summer action movie with a massive scope and insane visual effects. Spectral Motion’s alien creature designs brought a new spin on the otherworldly by taking to account “better” technology, while also addressing the concept of vulnerability (I’m going to keep this vague to avoid ruining it).

Simply put, Battle is like a wicked mix between the “Call of Duty” and “Gears of War” video games; it’s absolutely intense, face-paced and relentless. Liebesman’s filmmaking style, although a bit too shaky at times, carries a unique first-person approach that’ll have you wanting to jump right in and join the cause. The movie plows through, even breaking right through a few walls of over-exposition and cheesy dialogue (you’re gonna die when you hear one of the stars exclaim she’s a veterinarian).

Engaging until the very last frame, Battle: Los Angeles earns it’s biggest brownie points for raising the stakes vigorously throughout, and being bold enough to completely skip on an epilogue (I absolutely despise epilogues). You want a summer movie in March? Battle has a little bit of everything – ‘cept the popcorn…

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Drop’ – Violett Beane Joins the Cast of Christopher Landon’s New Thriller

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Pictured: Violett Beane in 'Death and Other Details' (2024)

Christopher Landon (Happy Death Day, Freaky) is staying busy here in 2024, directing not only the werewolf movie Big Bad but also an upcoming thriller titled Drop.

The project for Blumhouse and Platinum Dunes is being described as a “fast-paced thriller,” and Deadline reports today that Violett Beane (Truth or Dare) has joined the cast.

Newcomer Jacob Robinson has also signed on to star in the mysterious thriller. Previously announced, Meghann Fahy (“White Lotus”) will be leading the cast.

Landon recently teased on Twitter, “This is my love letter to DePalma.”

Jillian Jacobs and Chris Roach wrote the script.

Michael Bay, Jason Blum, Brad Fuller and Cameron Fuller — “who brought the script in to Platinum Dunes” — are producing the upcoming Drop. Sam Lerner is an executive producer.

THR notes, “The film is a Platinum Dunes and Blumhouse production for Universal.”

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