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Vile

“Within the subgenre that Vile lives, aka torture porn, the movie will be a sure hit.”

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Almost forty years ago, in July 1961, psychologist Stanley Milgram started a series of social psychology experiments. These experiments, based on Nazi war criminals and their heinous acts, were devised to answer a simple question – How far are people willing to go when instructed by authority?

Vile, a new film written by Eric Beck and directed by Taylor Sheridan, hones these experiments in a familiar setting.

After a long introduction, where the game of “Would You Rather?” takes precedence, the story begins. Nick, played by none other than Beck, and his pregnant girlfriend Tayler, stop for gas late one night after a few days of camping with their friends Tony and Kai. The setup from here is simple. An attractive, older woman approaches Nick at the station claiming that her car has run out of gas up the road and she needs a lift back. Once they reach her car, the “strange cougar” entices the girls in the car with samples of perfume she personally makes and sells. As Tayler rolls her eyes once more to Nick’s succumbing to this woman’s plea, the woman reappears in a gas mask and sprays toxic fumes into the car.

Fast forward hours or days later, where the four friends sit tied to chairs, with two vials (Get it? Vial. Vile. No?) attached to the base of their skulls and wired into their brains, while another group of strangers stare them down, asking why they are there and mumbling about a mysterious video. Greg, the strong leader of the group of strangers says he cannot wait – grabs a pair of pliers and eagerly pulls a fingernail from Kai’s hand.

This action sets off a timer on a tv screen which once more plays the mysterious video.

They have 22 hours to fill the vials on the back of their heads. The vials will only be filled if the wearer experiences pain. The group concludes they need the chemicals to create a drug made from dopamine, serotonin, and adrenaline. Said drug can only be made by experimenting on people. Cue an hour of the group torturing each other in various ways including hot irons, boiling water, and tools.

Reminiscent of Cube and Saw, Vile definitely produces the fear and paranoia a group of strangers would have in such circumstances – and it holds it all up with piles of torture and gore. If you get off on seeing innocent people subjected to horrific pain and Vile (haha!) situations, then you will definitely enjoy this film!

For someone who knows how detrimental medication can be to the quality of life – and the horrific circumstances if one does not get such medication – I would’ve loved to have seen this side of the story explored further. We are definitely blind as to what goes into making drugs safe and producing said drugs to begin with. And, as the film tries to show, it is true that people don’t care where the medicine comes from, they will just pay for it and be on their way.

For those who search beyond visual gore for a solid meaning to a story, Vile gives you a taste of what could be a thought provoking film – but just falls short. Had there been more explanation or purpose to said drug, I think my reaction would’ve been stronger.

It would have also helped if the DVD had not arrived with a big “postage due” sticker – which I then had to pay. That, in itself, was pretty Vile.

However, within the subgenre that Vile lives, aka torture porn, the movie will be a sure hit.

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’28 Years Later’ – Ralph Fiennes, Jodie Comer, and Aaron Taylor-Johnson Join Long Awaited Sequel

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28 Days Later, Ralph Fiennes in the Menu
Pictured: Ralph Fiennes in 'The Menu'

Danny Boyle and Alex Garland (AnnihilationMen), the director and writer behind 2002’s hit horror film 28 Days Later, are reteaming for the long-awaited sequel, 28 Years Later. THR reports that the sequel has cast Jodie Comer (Alone in the Dark, “Killing Eve”), Aaron Taylor-Johnson (Kraven the Hunter), and Ralph Fiennes (The Menu).

The plan is for Garland to write 28 Years Later and Boyle to direct, with Garland also planning on writing at least one more sequel to the franchise – director Nia DaCosta is currently in talks to helm the second installment.

No word on plot details as of this time, or who Comer, Taylor-Johnson, and Fiennes may play.

28 Days Later received a follow up in 2007 with 28 Weeks Later, which was executive produced by Boyle and Garland but directed by Juan Carlos Fresnadillo. Now, the pair hope to launch a new trilogy with 28 Years Later. The plan is for Garland to write all three entries, with Boyle helming the first installment.

Boyle and Garland will also produce alongside original producer Andrew Macdonald and Peter Rice, the former head of Fox Searchlight Pictures, the division of one-time studio Twentieth Century Fox that originally backed the British-made movie and its sequel.

The original film starred Cillian Murphy “as a man who wakes up from a coma after a bicycle accident to find England now a desolate, post-apocalyptic collapse, thanks to a virus that turned its victims into raging killers. The man then navigates the landscape, meeting a survivor played by Naomie Harris and a maniacal army major, played by Christopher Eccleston.”

Cillian Murphy (Oppenheimer) is on board as executive producer, though the actor isn’t set to appear in the film…yet.

Talks of a third installment in the franchise have been coming and going for the last several years now – at one point, it was going to be titled 28 Months Later – but it looks like this one is finally getting off the ground here in 2024 thanks to this casting news. Stay tuned for more updates soon!

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