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Half Moon (V)

“The biggest disappointment, however, is what the promos call a ‘bloody, hair raising climax’ that fails to impress… I expect a lot more after being forced to sit through an hour long conversation and an overly dramatic sex scene.”

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Creating an original werewolf film and properly executing the story behind it is a very difficult task. These films usually require either intense costuming or CGI, an obvious understanding of the myth, and a need to show intense gore. Werewolves are bloodthirsty, moon-obsessed creatures who instill fear. I’d say that’s a great way to kick off any good horror movie.

That’s part of why Half Moon intrigued me. The premise was interesting- a mysterious man reaches out to his on-call prostitute for companionship only to have another arrive in her place. The kicker is that the mysterious man is a werewolf and he’s in town for a treatment that will permanently rid him of his ‘disease.’ Throw in an unknowing, half naked heroine and it could easily have been a classic.

Key words: could have been.

Adult film star Tori Black stars as Rose, a seemingly lost, young prostitute who has to deal with her own inner demons as well as her overzealous and less than charming pimp. While working the streets, Rose runs into a friend who ends up telling her about her monthly date with a mysterious man who pays a lot of cash for her, ahem, companionship. When the friend gets arrested moments later, Rose takes the call- and the date. The mysterious man, Jacob, played by the talented Marek Matousek, is the lone savior of this film. His performance is brilliant and carries the less than adequate plot. He does a great job with what little is given to him- and that alone is why I didn’t turn the DVD into a coaster.

The biggest problem with Half Moon is that the story drags. The bulk of the movie is literally a story building conversation between Rose and Jacob in a hotel room that goes on and on and on. She talks about her childhood and her pimp, he talks about how he was infected and the treatments he needs, and somehow it starts over again, literally going in circles. Tori Black’s mediocre performance certainly doesn’t help- her character has a hard time deciding whether she’s a damsel in distress or a hood rat. The sound quality makes some of the scenes unbearable- at times it’s hard to tell if you’re watching a home video or an actual DVD release. The biggest disappointment, however, is what the promos call a ‘bloody, hair raising climax’ that fails to impress. Rose tries to help Jacob escape from the wrath of her pimp, but instead finds herself at his mercy. Jacob turns into a werewolf, attacking and killing the pimp, and changing Rose into one of his own. Though the transformation was pretty cool for a low budget flick, it just flopped. I expect a lot more after being forced to sit through an hour long conversation and an overly dramatic sex scene. Basically Matousek’s performance is the lone reason I would encourage anyone to watch the movie- otherwise, it’s just another one to throw to the wolves.

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‘Ready or Not’: Radio Silence Filmmakers Tease the “Absolute Banger” of a Sequel That’s Taking Shape

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It was first reported a couple weeks ago that Ready or Not 2 is now in development, with Adam Robitel (The Taking of Deborah Logan, Insidious: The Last Key, Escape Room, Escape Room: Tournament of Champions) in talks to direct the sequel to the 2019 box office hit. Additionally, we had learned that Samara Weaving would be returning to star.

Entertainment Weekly caught up with Ready or Not directors Tyler Gillett and Matt Bettinelli-Olpin in the wake of those reports, and we’ve now got an update straight from the source.

“It’s getting figured out. That’s what we’ll say: Ready or Not 2 is getting figured out,” Gillett tells EW, confirming last month’s report. “What we can say is that there is a script that is an absolute fucking banger of a sequel. And however it gets made, and in whatever capacity we are helping get it made, we are so excited that it’s happening.”

“I don’t think we knew after making [Ready or Not] that there would be so much story left to tell,” Gillett continues. “We’re so proud of what that first movie is, we’re so proud of what the sequel is. We’re just really excited, and fingers crossed that it gets made.” Bettinelli-Olpin adds, “And with Searchlight and Samara, they’re not gonna let it down.”

The first film introduced a mythology wherein the wealthy Le Domas family has made a deal with the devil, one that requires them to take part in bizarre – and deadly – wedding night traditions. There’s much that can be done with the premise going forward, even if the first movie ended with Weaving’s Grace massacring the family and burning down their estate.

Wikipedia reminds, “The sole survivor of the night, Grace walks out of the burning manor just as the police arrive. Upon asking her what happened, she simply replies: in-laws.”

Samara Weaving

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