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Dream House

” ‘Dream House‘ is another one of those slow-stepping snoozers that forgets scares, suspense, drama and pacing… [It’s] an arrogant, snotty and pretentious piece of work that believes it’s smart, genuine and clever; it takes itself way too seriously… There’s not a lick of fun to be had, and if anything, the oddly upbeat score diminishes any tension that could have been worked into this overly complex mess of film.”

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*Spoiler Warning

Everything changed in 1999 when M. Night Shyamalan’s The Sixth Sense hit theaters. The film’s twist was so out-of-the-box shocking that it literally trained tens of millions of moviegoers to watch for twists. A decade later, Universal Pictures attempts to transcend this hyper awareness with Dream House, the Jim Sheridan-directed supernatural thriller that stars Daniel Craig, Rachel Weisz and Naomi Watts.

In the film Will Atenton (Craig) moves into a new house with his wife (Weisz) and two daughters (Claire and Taylor Geare). He soon learns that he’s not who he thinks he is and that he may have murdered his family five years earlier.

Penned by David Loucka, Dream House is essentially a best of the ‘90s twist endings remix, jam-packed with idiotic OMFG moments stolen from films like Sixth Sense, Scream , Amityville Horror and even Shutter Island. The product is so incredibly self-aware that the first twist (as ruined in the trailer and TV Spots) happens at the halfway point, turning the second half of the movie into a nearly hour-long epilogue. Imagine if the finale of Sixth Sense was an hour, and instead of briefly summing up the turn of events, Bruce Willis’ character decides he needs to prove to himself that he’s a ghost. I’m not saying Craig’s character is a ghost, I’m just saying… it’s all a bit absurd.

When did Hollywood forget how to entertain us? Dream House is another one of those slow-stepping snoozers that forgets scares, suspense, drama and pacing. The character development is all over the place as the audience can’t quite figure out who’s good and who’s bad, especially with red herrings overly slotted into the film. In fact, the movie ends in such a way that you can question whether or not anything on screen ever actually happened. Could it be, the biggest twist was that it was all a dream?

Dream House is an arrogant, snotty and pretentious piece of work that believes it’s smart, genuine and clever; it takes itself way too seriously, especially with the various “Scooby-Doo” endings (the best is when Craig’s character learns that his fake name, Will Atenton, was conjured up by his patient number W11 81010 – no joke) . There’s not a lick of fun to be had, and if anything, the oddly upbeat score diminishes any tension that could have been worked into this overly complex mess of film. Simple is always better. Simple and FUN is even better than that.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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’28 Years Later’ – Ralph Fiennes, Jodie Comer, and Aaron Taylor-Johnson Join Long Awaited Sequel

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28 Days Later, Ralph Fiennes in the Menu
Pictured: Ralph Fiennes in 'The Menu'

Danny Boyle and Alex Garland (AnnihilationMen), the director and writer behind 2002’s hit horror film 28 Days Later, are reteaming for the long-awaited sequel, 28 Years Later. THR reports that the sequel has cast Jodie Comer (Alone in the Dark, “Killing Eve”), Aaron Taylor-Johnson (Kraven the Hunter), and Ralph Fiennes (The Menu).

The plan is for Garland to write 28 Years Later and Boyle to direct, with Garland also planning on writing at least one more sequel to the franchise – director Nia DaCosta is currently in talks to helm the second installment.

No word on plot details as of this time, or who Comer, Taylor-Johnson, and Fiennes may play.

28 Days Later received a follow up in 2007 with 28 Weeks Later, which was executive produced by Boyle and Garland but directed by Juan Carlos Fresnadillo. Now, the pair hope to launch a new trilogy with 28 Years Later. The plan is for Garland to write all three entries, with Boyle helming the first installment.

Boyle and Garland will also produce alongside original producer Andrew Macdonald and Peter Rice, the former head of Fox Searchlight Pictures, the division of one-time studio Twentieth Century Fox that originally backed the British-made movie and its sequel.

The original film starred Cillian Murphy “as a man who wakes up from a coma after a bicycle accident to find England now a desolate, post-apocalyptic collapse, thanks to a virus that turned its victims into raging killers. The man then navigates the landscape, meeting a survivor played by Naomie Harris and a maniacal army major, played by Christopher Eccleston.”

Cillian Murphy (Oppenheimer) is on board as executive producer, though the actor isn’t set to appear in the film…yet.

Talks of a third installment in the franchise have been coming and going for the last several years now – at one point, it was going to be titled 28 Months Later – but it looks like this one is finally getting off the ground here in 2024 thanks to this casting news. Stay tuned for more updates soon!

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