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[Review] UK Thriller ‘Hungerford’ Is An Inventive Take On Found-Footage

It seems like in 90 percent of the found-footage reviews I write, I find myself complaining about the same things. Luckily, this entry from young UK writer/director/star Drew Casson manages to take an inventive spin on the genre while only dipping into tired cliches a few times. Hungerford is wildly ambitious and despite its tight budget, Casson was able to make it feel like a large-scale end of the world, alien invasion film. Speaking as someone who has to watch a lot of bad found footage movies, I can honestly say Hungerford makes for a refreshing and charming take on the genre.

Set in the titular town of Hungerford, the film follows Cowen (played by Casson) as he documents his life for a school project. His life basically entails partying with his roommates and trying to remember what happened the night before. It’s not a very interesting video diary, until an alien invasion goes down in body snatcher form. Then his video diary begins to kick ass. If I was his teacher, I’d probably give him a bold A+.

We’re with Cowen and his friends for the entire film, so thankfully their relationships and banter feel very organic. The dialogue is believable and sounds like the shit you’d hear a bunch of twenty-somethings rap about during a horrific alien invasion. There’s some real depth and drama to the characters too, which adds a ton of weight as far as actually caring about them goes. There’s a loose romance set up between Cowen and another character that adds a real punch later on when shit goes down.

One of the wise choices the film makes is to show us everything. Too often in found-footage are we only shown glimpses of the creature, villain, etc., and it’s usually in a dark room so we can’t actually see anything. That can be effective, of course, but it’s so overdone it’s rare for that technique to conjure up scares anymore. Casson sets his film mainly during the day and gives us full-on shots of the baddies. It works well and gives the carnage a bit of a Shaun of the Dead feel. Some of the scares don’t really work, but it’s still great that the camera never flinches away.

The “film everything” logic does stumble a bit when the kids commit a heinous crime, so it’s best to suspense disbelief for that scene.

One cliche the film does perform is setting much of the climax in a dark room (like I mentioned before). It’s tough to see much of anything, the camerawork turns jarring, and it’s simply not as effective as the rest of the film. The ending is also one were fairly accustomed to by now. It would’ve been cool to see some more of the creativity displayed earlier come up for the climax.

Despite these found footage shortcomings and some stifled acting, Hungerford is an admirable and lively entry to the genre. There’s some real feeling behind the film and it certainly shows. It’ll be interesting to see what young Casson could pull off with a healthier budget.



  • brewers_rule

    I REALLY wish the found footage genre would just die already. Just watched Devil’s Due and I keep thinking watching these things: how many people have you actually run into in society that are constantly running around recording every minute of their lives like they show in these movies? It’s got the same problem reality tv has: it’s not based in any reality.

    • I 100% agree……..found footage is terrible. There are Less than 4 found footage movies I semi-enjoy.

    • AkumajoBelmont

      Found footage is great if executed well. Most of the time however, it’s not. A lot of my favourite horror flicks are found-footage and are great. [REC], The Conspiracy, the V/H/S flicks, Troll Hunter – all great, creative entries. Stuff like this, Skinwalker Ranch (shudder) and waaay to mention ruin it for everyone. Though you could argue, the good to shit ratio is just as bad in the typical, cinematic format horror movies. Tropes are tropes, after all, and each genre and sub-genre has its classics and its turds. It’s not really fair to single out found-footage. If it’s not your cup of tea or whatever, that’s cool. Shaky Cam isn’t for everyone. But to say the whole sub-genre needs to die is a bit extreme…

  • morehorror4me

    My problem is the inevitable ending to all of these foundie flicks: Why bother rooting or investing my time in characters that I know will die. Haven’t seen this one but i’m sure it ends with a ragged cut, lots of camera swinging back and forth, and then darkness…end. They’re all dead. Kinda takes away the suspense and is near cliche laughable at this point. No offense to anybody who likes these flicks, but if I thought Devil’s Due or any of these others had a more inspired climax I’d be more on board.

    • Travis

      What better way to connect with a character than to watch them die.

  • JeanHBurdette

    Josiah . although Jacqueline `s stori is surprising,
    last week I bought themselves a Chrysler from having made $5060 thiss month
    and-in excess of, 10/k last-month . it’s realy the easiest-work I have ever
    done . I started this 4 months ago and pretty much straight away was bringin in
    at least $78 per-hour . why not look here C­a­s­h­f­i­g­.­C­O­M­

  • Travis

    I’m down with found footage. Obviously, the bad ones are worse than other bad horror movies, but I think they can work really well.

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