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[TV Review] “The Strain” Episode 1.02, ‘The Box’

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“The Box” picks up the several threads leftover from last week and stalls in lackluster fashion. The threats from the first episode aren’t nearly as prevalent, but the ominous sense of dread starts to descend on the CDC as the mystery of the empty plane stops making medical sense.

This episode begins with my personal favorite character of the series, Vasiliy Fet. He’s a no nonsense rat exterminator who thrives in darkness. He’s only given a few key scenes this week but Kevin Durand (Of LOST fame, or perhaps of Blob fame in X-Men The Last Stand) finally gets the roll he deserves. As a member of the city pest control he’s very skilled at tracking and killing vermin… one wonders how such skills will pay off in the future.

Meanwhile everything is under CDC jurisdiction. That much is clear. Ephraim seems to have the power to shut everything down. He loves to show the size of his dick by asserting control. It’s clear that viral outbreaks are serious business here, but it’s almost too much to watch. Especially since the man in charge of the CDC seems completely inept. He doesn’t even understand the gravity of the situation when locked in an intimate stranglehold between himself and Eph.

Somehow though Corey Stoll is still compelling. He does his best with being the one guy who has an inkling of the truth. His ability to take command of a scene shows an assertiveness that few characters share so far. Most of this is due to the fact that the episode largely concerns itself with confused people too afraid to admit this is a viral outbreak. So you get a lot of talk about the repercussions of shutting down New York.

The scene between Herr Eichorst and Abraham is probably the standout of the episode. They share a lot of history and Eichorst shows he’s one evil bastard by jamming a knife into Abraham that deeply penetrates the misery of his past. This is the strength of the series thus far. The science is actually far outweighed by the actual mysticism of the swords and supernatural.

There is far less horror on display this week than the last. There is the fantastic reveal of The Master, but for the most part the plot feels like a stalling vehicle, it just can’t decide how fast to move. Things chug along and everyone other than Vasiliy feel lost in limbo. The only real reason Vasiliy works so well is because he’s so detached from everything else in the main narrative.

It’s just unfortunate because there is a ton of great potential within the series that still feels lost in this episode. Ephraim’s character becomes even more jagged with the reveal of his past as an alcoholic but it doesn’t serve to make him any more compelling. He’s learning about himself and there is an awkward AA scene that does a groan worthy self reflexive info dump.

Pretty much all of the best scenes of the week belong to the last ten minutes. It’s almost as if the best parts of this episode and the extra half hour from the first episode should have been cut into something with a little better pacing, but I digress.

Despite its problems The Strain still shows an fantastic amount of promise, but it just has to make good on it’s premise. This week tried to focus on character, but totally forgot the service the plot and serve up the horror.

Stray Thoughts

 – Sean Astin is left to comedic relief and dumbfounded bewilderment. He’s not that compelling. One small cough, good god.

– I can’t stand Mia Meastro. She’s wooden, devoid of emotion, and the most unconvincing television scientist I’ve ever witnessed.

– Chilling when Eichorst recites Abraham’s concentration camp number from memory.

– A huge missed opportunity with the scene in the morgue.

I dug the scene licking blood off the floor. The reveal of the Master, and the final scene of the week, but it these were pretty much the only moments of horror.

 

 

For those of you still in doubt, I urge you to stick around for one more week. This is the weakest episode of the series, and I can certainly promise things get better from here.

What did you think of “The Box?”

 

 

 

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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