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[TV Review] “The Strain” Episode 1.04, ‘It’s Not For Everyone’

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“It’s Not For Everyone” can finally put the debate to rest. The Strain is a good show, it’s not quite a great one – yet – but there is huge signs of potential now that all of the characters are in the right places.

Things pick up right after last week’s insane final scene. The CDC team is reeling from what just took place, and Eph takes charge.  Jim is still being a contrary idiot, but he does seem like the only voice of reason within the horror.

The autopsy scene that occurs early in the episode is a huge highlight and shows the fantastic lengths Del Toro went to in developing the internal physiology of his new breed of vampire. It’s glorious and filled with curiosity. You can feel the tension in the scene. Especially when Eph talks about efficiency. If the bisecting of the ribcage and subsequent removal of the tongue don’t make you sick than you’re much stronger than I. Personally I believe this scene the best the series has yet. Corey Stoll’s face as he slowly pulls out the stinger will be etched into my brain for a long time.

The survivors are in shambles. Which makes for some great scenes demonstrating exactly what the strain does to people. Ansel is having a real hard time. The dude can’t get out of his jammies, but his awful wife finally solves their dispute with their shitty neighbor. Loved the result of the scene, don’t know how I feel about the wife making the snap decision to murder her neighbor. Oh well, it did result in some fantastic tension.

Gus finally gets the development he sorely deserved in a storyline this week that feels a lot more grounded than his previous affairs. We start to see him less as a moral ambiguous stereotype and a strong willed leader who will do well in the fight to take back New York. The fact he intimates his own landlord into taking out his trash is pure perfection.

Eichorst is a tour de force. I love to hate him, and while I can imagine he’ll be a terrible force to be reckoned with as the Stonehart group continues to tighten its grip over the city. New York City is beginning to crumble and I can’t help but think Herr Eichorst is the one who is orchestrating everything, even more so than The Master.

Jim’s reveal as a piece of shit was nicely handled. I fail to look at him as a victim and was really happy to see Eph punch him in the face. Luckily Eph starts to put things together, and it’s no thanks to Mr. Nora Exposition Machine Martinez. Seriously – every thing that comes out of her mouth is a weirdly stated question that restates the obvious.

So finally we have Abraham and Eph together, and fittingly gives us the title of the episode in an offhand remark from the old man. “It’s Not For Everyone” shows the strength of the two series leads and the interesting chemistry that is beginning to bubble between the old world and the new world. Which for me makes the spine of the novel. The interaction between Eph and Abraham really comes to define the story, there is no clear way for either man to defeat the threat in front of them. They must use the worlds of science and the supernatural to defeat The Master and Eldritch Palmer.

I have a certain faith that The Strain has finally found it’s footing with a week that pushed the series into vampire battling territory. There aren’t so many questions anymore, rather, it’s just about how to defeat the threat and Abraham has the answer. Seriously though, David Bradley is the fucking man. His performance is cold and bold. He knows what needs to be done, and I can’t wait to see him handle the character in subsequent weeks.

Now we’ve got to get some Vasily into the mix and I’ll be one happy man. Let the great hunt begin!

 

Stray Thoughts:

–       Exasperated Jim “This thing’s dick is gone, and it just shot a shit load of shit all over the room!” Horrible dialogue.

–       I want Abraham and Gus to get together.

–       Craving a little more in the way of Vampire action, but I think we’ve got a lot more coming our way in the next few weeks.

–       Nora hate.

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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