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[TV] “Powers” – “Mickey Rooney Cries No More” Review

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Reviewed By Torin Chambers. Powers is so aggravatingly frustrating. ‘Mickey Rooney Cries No More’ gives the essence of a good show; the world is compelling but poorly rendered, there’s an almost limitless possibility for visual style but it’s VFX are on par with your average student film. The characters seem to have real depth but we never actually get to see it, instead we’re beat over the head with the concept that they have depth. These are far and wide not the same thing. Let me dispel the belief that by the third episode the show find its legs and really gets the ball rolling, it’s doesn’t.

It’s as problematic as ever with no sign of change. I’ll reiterate the hair-string budget and add that maybe if Sony wants to start a television revolution they should put more than nickels and dimes into it. I’m pretty sure you can find the exact tutorial they used for the intro off of Video Copilot. Now the budget could be totally forgiven if the writing had more substance, or even consistency at the very least. There’s a stark divide in the quality of the writing per character. Deena and Johnny Royalle are truly engaging, they feel vivid and alive, Royalle steals literally every scene he’s in. They show genuine signs of complex humanity, unlike their robotic walking contradictory co-stars.

I feel this is totally a shortcoming of the writing and not the actors, Sharlto Copley for one has chops but they give him nothing to work with. Walker is 100% surface, constantly throwing temper tantrums about not having powers anymore while the exposition machines reassure us that he’s a good guy with depth. He’s so much more nuanced in the comic, it’s incredibly disheartening to see him act like a baby here.

Not to outdo itself episode 3 starts out just as problematic as ever. We’re introduced to Triphammer which is neat but he’s maybe the most frustrating character yet, which is not so neat. He is trying to cure “powers” and his intentions appear good. There seem to be at least a small contingency of powers who cannot control their powers. They could feasibly want to be cured so they are no longer pose a risk to others. This seems to be the exact situation of the prisoner who Triphammer is trying to cure at the outset of this episode only he goes about it in the most insane way possible.

Triphammer tells the prisoner that there’s an experimental treatment that if he agrees to it they may possibly let him go and/or cure him. His cure comes in the form of a green light that appears to only work when they flare their powers up, but instead of telling them this he tells them to attack him. It’s a sick and twisted and not to mention entirely unnecessary power trip for Triphammer. Like he’s asserting some kind of warped dominance over someone who clearly would’ve accepted had he just be plainly told what was needed of him. Triphammer even removes all of his armor and weapons as a sign of good faith. Then when it fails he’s astonishingly distraught about the death. Why does someone who has good intentions, disarms as a sign of respect and is clearly distressed after causing an accidental death also needless bullies said person. Another mind shattering contradiction of a character.

Another bizzaro turn of events comes when Retro Girl flip-flops her opinion of Calista when she tells a story that seems just as bogus as her previous lies Retro Girl didn’t believe. It’s dumb, Retro Girl is dumb and we’re all dumber for having watched it. The episodes continues down this road until an authentically emotional scene and a breathtaking cliffhanger cap off the episode, both of which revolve around, no surprise here, Royale. His recounting of how he first learned of his powers is heartbreaking and the highest peak the show has hit thus far. On the other hand you’ve got a major issue when your villain is 1000x more likable than your lead protagonist. They should just cut their losses and make Johnny Royale the protagonist, now that’s a show I would enjoy.

Torin Chambers is a rad dude from the nineties who does film stuff or something. Thomas the Tank Engine is his favorite transformer. Find him on Twitter @TorinsChambers

 

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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