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[TV Review] “Marvel’s Daredevil” Episode 1.07, ‘Stick’

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Marvel’s Daredevil shows no signs of slowing down with “Stick.” The cold open introduction to the titular character was a phenomenal way to establish this old bastard as someone who can’t be messed with, but even with the hand getting sliced off, Scott Glenn’s calm performance is what sells it so well. We’ve already seen incredible action and gore in this series, but the elevator arterial spray was a beautiful touch.

Foggy’s little rant about the man in black is a nice little touch to his character. He naivety represents the general public, and Matt obviously sticks up for his own actions. The quick exchange about secrets is a nice touch, since Foggy is the only one of them without any to give up. He’s a clean slate and genuinely good person.

It’s stunning to see Daredevil get so close to Owlsey. Of course he would, but he loses it so quickly due to a rookie error of always being on edge. It makes sense, but why the hell was Stick sneaking up on him anyway? Seems he’s just a dick for being a dick’s sake.

The flashback in the nunnery to young Matt being in unbearable pain thanks to sensory overload was great. These scenes were brisk, and did a lot to establish Matt’s no nonsense tone for the future. He doesn’t become as much as a prick as Stick, but he’s somewhere in between him and Foggy.

Ulrich is a damn good reporter. Everything he says is pure gold. The character is written so well, and perhaps has the best fix on the city in the show. He is intimate with business in Hell’s Kitchen, and so far seems to be the best chance at taking down Fisk.

Matt’s exchange with Stick really seams to open old wounds. It’s clear that something happened between them that was pretty jarring. Stick pushes him to be something more, a Spartan. But, Matt realizes his relationships make him stronger. The first arm twist leading into another flashback was a great match cut. The young Matt learning to fight is enjoyable enough. Especially when his defeat causes him to blame himself for his father’s death. It’s this moment where Daredevil is basically born and a crying little boy becomes an acrobat.

Karen’s moments with Elena weren’t really strong enough on their own. The scenes didn’t seem to have a point. But Foggy taking up a bat and choosing to save Karen was a huge moment for his character. He’s a loyal friend to the end, and his dedication to the people around him continues to strengthen with every week.

Stick pushing Matt to take up killing may seem like a huge leap, but he’s right. There will be a point when Daredevil will have to kill. The duo’s trip to the harbor was a fun little adventure filled with so many question marks. Just what the hell is Black Sky?

The choreography in the harbor scene was great. Daredevil being able to do the ground work as Stick hung out overlooking the situation was a great chance for the show to play with shipping containers again. It all feels like Batman Begins all over again, until that damn container drops and you see what’s inside. What is this kid? Why is he in chains? And does this mean the show is developing a supernatural element.

It sure seems ninjas are on the horizon. But the rule of three had to be applied and we’re treated to another flashback that shows a sassy little Matt Murdock who’s evolved into quite the fighter. However, it was the final bout between Stick and Matt was where the whole episode came together for me. That, and the final scene, the line “Will he be ready when the doors open?” has about as much foreboding as you can get. So let’s sincerely hope there are some mystical ninjas on the horizon.

No Fisk this time. Which is a bummer, but I figure things have been so heavy on his motivation with the last few episodes that we had to leave him in order to refocus on Matt. A good call. Did it all feel a little unfocused? Perhaps. Is this an entirely new direction we’re headed in? Not likely. So while we got a little bit of Matt’s backstory it did feel a little like filler. Really odd filler that has a bunch of new stuff peppered throughout, that I can’t imagine going anywhere. We’ll see.

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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