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[TV Review] “Marvel’s Daredevil” Episode 1.13 ‘Daredevil’

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The best compliment the season finale of Marvel’s Daredevil earns is that it’s satisfying.  Though we will see Matt again in “The Defenders”, and possibly even Kingpin, the wait for season 2 of “Daredevil” will be excruciating.  Though we need to appreciate how complete the series is, after one season.  “Daredevil”  leaves virtually nothing open, instead there are things that have been set up for future Defender series (Black Sky, Gao’s origin, ect). Matt and Wilson complete their origin stories in a way that is true to the characters, fitting for the tone of the show, and gives a satisfying sense of closure and finality.  You’ll be left wanting more but not needing it – and that’s pretty damn satisfying.

Wilson has progressively gotten more and more villainous as the season has gone on.  Taking out the Russians was a good thing in some ways.  Having Elena killed was vile, but done very indirectly.  Killing Ben with his own hands was both petty and psychotic.  All of these acts demonstrate his cunning and malevolence, but none compare to his bombastic highway jailbreak orchestrated in this episode.  The extent of Fisk’s powers are revealed; he controls everything, and like his comic book counterpart,  can never be captured.  His retelling of the good samaritan show that he knows exactly what he has become, and his moment standing above his handiwork in the back of the truck, adjusting his coat and making orders, that was the moment he elevated himself from villain to supervillain.  In that moment Wilson Fisk became the Kingpin.

Matt, on the other hand, has been struggling with his purpose all season long, unsure of what he is doing is right, or if any of it matters at all.  Father Lantom gives him his purpose: to scare bad men into walking the path of the righteous.  When he catches up to Kingpin Matt almost has him subdued when Fisk asks “Do you really think one man can make a difference?”  Daredevil answers his question with one slo-mo flying rocket punch to the face.  In that moment Matt Murdock became Daredevil.

About that last fight.  The way their different fighting styles were accentuated is awesome.  Kingpin is represented like a charging bull: using brute force and tossing Matt around every time he gets his hands on him.  Daredevil by contrast is light and graceful, spinning and flipping and trying to get hits in where he can.  They introduced his club, with a few too many inserts showing how it comes apart and links back together, it didn’t do any of the really cool stuff his club can do though, and it this point making a big deal about the two-in-one weapon actually slowed the pace of the fight down.

The only missing thread from the series is any kind of clue as to how Fisk accumulated his wealth and power.  The series would have felt a little more grounded if we knew how he obtained his position.  We’re left to imagine it had something to do with the men his father owed money to, but you’ll be left burning to know what made this man a kingpin.

The series is mind blowing.  Iit opens up yet another avenue for the MCU to play within.  This bodes very well for the other three defenders, and beyond that the rest of the Marvel heroes that they aren’t ready to take a cinematic leap on.  The only bad thing about it will be the wait between releases.  The more MCU the better at this point.
This is the Daredevil we’ve all been waiting for.

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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