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[TV Review] “iZombie” Episode 2.12: ‘Physician, Heal Thy Selfie’

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iZombie

If you thought it was going to be tough to top last week’s fantastic episode, you would be incorrect. I know I was. I’m still relatively new to the TV reviewing game, so I admit that I’m still learning. I gave last week’s episode a perfect score, and dammit this week’s episode was better. If I could give “Physician, Heal Thy Selfie” six skulls, I would. Unfortunately I can’t, so I’m just giving it another perfect 5-skull rating. Consider my lesson learned! I won’t be so quick to hand out such high marks any more. Anyway, on to this superb episode of iZombie.

The obvious saving grace for this episode (and other episodes like it) is that the case of the week was directly linked to every single subplot in the episode. This removes the episodic element and helps iZombie to embrace its procedural roots. The episodic structure has been criticized in the past, and unfortunately that is just the type of show that iZombie is. That just means when an episode eschew that structure for most of its runtime, it makes that episode stand out more, and it’s all the better for it.

This week the case centered on three hitmen whose decapitated bodies were found washed up on the shore. Of course, this ended up being tied into a much bigger case involving Mr. Boss. Eddie Jemison made an imposing first impression a few weeks ago, but he has been mostly absent since then. It was great to see him come back and show off his range: vulnerability when learning of his nephew’s death and a mencacing vibe when cornering Blaine in his basement (how fun was that scene?). With the debt that Blaine now owes Mr. Boss (for walking out on the utopium dealing operation after the boat crash in the pilot), it looks like we’ll be seeing many more scenes with the two of them together.

Turns out the three dead bodies were actually Mr. Boss’ hitmen, and they were sent to kidnap District Attorney Baracus, who is actually a zombie under Blaine’s control. Baracus went into full-on zombie mode after being held hostage for a little too long without brains, and he ended up storing the heads of his captors in his refrigerator while throwing their bodies in the lake. Still with me?

Baracus’ kidnapping also brought about trouble for Major, who came under Vaughn du Clark’s suspicion when the hitmen turned up dead. If a D.A. was kidnapped by three professional killers, then that D.A. would be dead unless he had the superhuman strength of a zombie. The fact that he had a lot of hot sauce purchases on his credit card didn’t help matters.

I try not to recap too much in my reviews, but it felt necessary for this one since there was so much going on in the episode. “Physician, Heal Thy Selfie” pretty much brought everyone out of the woodworks. Gilda even showed up to torment Major a little bit! Props to you if you even remembered who Baracus was. I had to Google him.

Liv was able to interact with pretty much all of these characters as well (except du Clark), but she was mostly concerned with herself after eating the brain of a ditzy social media butterfly that Ravi had on reserve for her. Said brain ended up helping her confront Drake about his past (more on that in a bit) and figure out that Baracus was hiding out in a nook in his cabin.

du Clark also reinforced his role as a psychotically evil super-villain. He pretty much did what all bloggers wish they could do: murder trolls. It may not be the most original idea, but it’s treated with the utmost seriousness and actually does make du Clark a more threatening villain. Credit should be given to Steven Weber, who has been doing a bang-up job in the role.

iZombie

For a show with three main villains, iZombie certainly does an excellent job with fleshing them all out and making them feel like real people. Blaine and Mr. Boss (who has had the least amount of screen time between the three) still manage to feel like actual threats, as opposed to stereotypical “comic book villains.”

This was an episode that paid off tremendously to fans who have stuck with the show since the beginning. It can be easy to forget that creators Rob Thomas and Diane Ruggiero pepper little clues and Easter eggs throughout the most episodic of episodes that will pay off remembering in a later episode. It will probably make a re-watch of the series much more rewarding.

Less prominent but still important this week were the romantic subplots with Liv and Peyton. After doing some internet research with her brain powers of the week, Liv learned that Drake spent 22 months in prison for aggravated assault. The overall explanation was a little anticlimactic, but it was a serviceable hurdle for the two to overcome.

More interesting was Peyton, who had to deal with the aftermath of learning about Blaine’s true identity. After a stellar scene in which she and Liv cornered Blaine in her office, Peyton spent the majority of the episode getting drunk with Ravi. After spending a good chunk of the season Peyton-less, it was nice to see her emotional fallout and spend so much time with her this week. Aly Michalka is a talented actress and she deserves more to do on iZombie.

Hopefully next week’s episode isn’t better than “Physician, Heal Thyself,” otherwise I’ll look like quite the fool. Nevertheless, this was yet another first-rate episode of iZombie and we can only hope that the remaining seven episodes of the season can maintain this kind of quality.

Random Notes

  • Chapter Titles of the Week: Brain Trust; Head Case; Chaos Theory; Lillywhite Lie; Deaux, A Deer in the Headlights; Cabin Cleaver; Takeout For Dinner. I’m a sucker for musicals so the Sound of Music reference in “Deaux, A Deer in the Headlights” killed me. That “Cabin Cleaver” title is timely though, considering the release of the Cabin Fever remake on Friday.
  • Brain Recipe of the Week: Brain Sushi, and it looked awesome.
  • Liv discovers that Blaine is the Mystery Man/Mr. U. Have I mentioned how nice it is that iZombie is zipping through these plot lines now?
  • Love how Clive Red Dragon‘d du Clark by tricking the reporter into believing Baracus’ kidnapping was the work of the Chaos Killer so that he could try to bait him out of hiding.
  • “Looks like a no-brainer to me, Liv.” -Ravi, on the headless corpses.
  • “For the record: all you are to me is a giant mistake.” -Nice to see Peyton get a lot of great lines this week.
  • I’ve never heard of the #BootyHadMeLikeWhat, but I’m going to start using it all the time on Twitter.
  • “What does it mean if a guy you’re dating isn’t on Facebook?” -I think it’s weird when someone isn’t on Facebook too. Sorry!
  • “You look just like this doll my little sister used to have.” -This is an apt description of Liv.
  • “Tell me more about this Mystery Man.” “It’s like you don’t know wha the word mystery views.” -That informant was pretty funny though, wasn’t he?
  • “153 people watched you unpack a box. How? Why?
  • “Why obsess over the trolls?” -When I first started writing for BD I obsessed over the meanest comments. I’d like to think I’ve gotten better at handling them.
  • “If you post that you have to tag me in it.” “I don’t know what that means, honey.”
  • “You work up the nerve to resign and your boss gets abducted!”
  • The stakes rise again next week as Major comes face-to-face with Blaine again!

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

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“AHS: Delicate” Review – “Little Gold Man” Mixes Oscar Fever & Baby Fever into the Perfect Product

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American Horror Story Season 12 Episode 8 Mia Farrow

‘AHS: Delicate’ enters early labor with a fun, frenzied episode that finds the perfect tone and goes for broke as its water breaks.

“I’ll figure it out. Women always do.”

American Horror Story is no stranger to remixing real-life history with ludicrous, heightened Murphy-isms, whether it’s AHS: 1984’s incorporation of Richard Ramirez, AHS: Cult’s use of Valerie Solanas, or AHS: Coven’s prominent role for the Axeman of New Orleans. Accordingly, it’s very much par for the course for AHS: Delicate to riff on other pop culture touchstones and infinitely warp them to its wicked whims. That being said, it takes real guts to do a postmodern feminist version of Rosemary’s Baby and then actually put Mia Farrow – while she’s filming Rosemary’s Baby, no less – into the narrative. This is the type of gonzo bullshit that I want out of American Horror Story! Sharon Tate even shows up for a minute because why the hell not? Make no mistake, this is completely absurd, but the right kind of campy absurdity that’s consistently been in American Horror Story’s wheelhouse since its inception. It’s a wild introduction that sets up an Oscar-centric AHS: Delicate episode for success. “Little Gold Man” is a chaotic episode that’s worth its weight in gold and starts to bring this contentious season home. 

It’d be one thing if “Little Gold Man” just featured a brief detour to 1967 so that this season of pregnancy horror could cross off Rosemary’s Baby from its checklist. AHS: Delicate gets more ambitious with its revisionist history and goes so far as to say that Mia Farrow and Anna Victoria Alcott are similarly plagued. “Little Gold Man” intentionally gives Frank Sinatra dialogue that’s basically verbatim from Dex Harding Sr., which indicates that this demonic curse has been ruffling Hollywood’s feathers for the better part of a century. Anna Victoria Alcott’s Oscar-nominated feature film, The Auteur, is evidently no different than Rosemary’s Baby. It’s merely Satanic forces’ latest attempt to cultivate the “perfect product.” “Little Gold Man” even implies that the only reason that Mia Farrow didn’t go on to make waves at the 1969 Academy Awards and ends up with her twisted lot in life is because she couldn’t properly commit to Siobhan’s scheme, unlike Anna.

This is easily one of American Horror Story’s more ridiculous cold opens, but there’s a lot of love for the horror genre and Hollywood that pumps through its veins. If Hollywood needs to be a part of AHS: Delicate’s story then this is actually the perfect connective tissue. On that note, Claire DeJean plays Sharon Tate in “Little Gold Man” and does fine work with the brief scene. However, it would have been a nice, subtle nod of continuity if AHS: Delicate brought back Rachel Roberts who previously portrayed Tate in AHS: Cult. “Little Gold Man” still makes its point and to echo a famous line from Jennifer Lynch’s father’s television masterpiece: “It is happening again.”

“Little Gold Man” is rich in sequences where Anna just rides the waves of success and enjoys her blossoming fame. She feels empowered and begins to finally take control of her life, rather than let it push her around and get under her skin like a gestating fetus. Anna’s success coincides with a colossal exposition dump from Tavi Gevinson’s Cora, a character who’s been absent for so long that we were all seemingly meant to forget that she was ever someone who was supposed to be significant. Cora has apparently been the one pulling many of Anna’s strings all along as she goes Single White Female, rather than Anna having a case of Repulsion. It’s an explanation that oddly works and feeds into the episode’s more general message of dreams becoming nightmares. Cora continuing to stay aligned with Dr. Hill because she has student loans is also somehow, tragically the perfect explanation for her abhorrent behavior. It’s not the most outlandish series of events in an episode that also briefly gives Anna alligator legs and makes Emma Roberts and Kim Kardashian kiss.

American Horror Story Season 12 Episode 8 Cora In Cloak

“Little Gold Man” often feels like it hits the fast-forward button as it delivers more answers, much in the same vein as last week’s “Ava Hestia.” These episodes are two sides of the same coin and it’s surely no coincidence that they’re both directed by Jennifer Lynch. This season has benefitted from being entirely written by Halley Feiffer – a first for the series – but it’s unfortunate that Lynch couldn’t direct every episode of AHS: Delicate instead of just four out of nine entries. That’s not to say that a version of this season that was unilaterally directed by Lynch would have been without its issues. However, it’s likely that there’d be a better sense of synergy across the season with fewer redundancies. She’s responsible for the best episodes of AHS: Delicate and it’s a disappointment that she won’t be the one who closes the season out in next week’s finale.

To this point, “Little Gold Man” utilizes immaculate pacing that helps this episode breeze by. Anna’s Oscar nomination and the awards ceremony are in the same episode, whereas it feels like “Part 1” of the season would have spaced these events out over four or five episodes. This frenzied tempo works in “Little Gold Man’s” favor as AHS: Delicate speed-runs to its finish instead of getting lost in laborious plotting and unnecessary storytelling. This is how the entire season should have been. Although it’s also worth pointing out that this is by far the shortest episode of American Horror Story to date at only 34 minutes. It’s a shame that the season’s strongest entries have also been the ones with the least amount of content. There could have been a whole other act to “Little Gold Man,” or at the least, a substantially longer cold open that got more out of its Mia Farrow mayhem. 

“Little Gold Man” is an American Horror Story episode that does everything right, but is still forced to contend with three-quarters of a subpar season. “Part 2” of AHS: Delicate actually helps the season’s first five episodes shine brighter in retrospect and this will definitely be a season that benefits from one long binge that doesn’t have a six-month break in the middle. Unfortunately, anyone who’s already watched it once will likely not feel compelled to experience these labor pains a second time over. With one episode to go and Anna’s potential demon offspring ready to greet the world, AHS: Delicate is poised to deliver one hell of a finale.

Although, to paraphrase Frank Sinatra, “How do you expect to be a good conclusion if this is what you’re chasing?” 

4 out of 5 skulls

American Horror Story Season 12 Episode 9 Anna Siobhan Kiss

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