Full Sundance 2011 Coverage: Ryan Daley Reflects Back on This Year’s Big Indie Horror Films!

I’m not saying that the 2011 Sundance Film Festival was a complete bust, but I can’t help but feel a little bit let down. Like many B-D readers, I was all sweaty and jacked up for sure-fire winners like Red State, The Oregonian, and Hobo with a Shotgun, only to come away feeling bemused and melancholy and…well, still a little bit sweaty, I guess. Looking back, the 2010 Sundance Film Festival gave us four terrific films (The Killer Inside Me, Frozen, Buried, and 7 Days) , but we only got two truly great ones out of this year`s fest. Yeah, that`s right, two.

Still, it’s worth noting that there were more “horror films” at this year’s festival than there have been in a very long time, which has to be a good sign, right? At least it shows that they’re trying. And at the very least, I had a great time. My abiding gratitude to B-D for sending me, and of course, a special thanks to our loyal readers for all of their much appreciated comments.

Inside you’ll find my ranking of this year’s films, along with a complete breakdown of ALL the festival coverage.

 Full Sundance 2011 Coverage: Ryan Daley Reflects Back on This Years Big Indie Horror Films!

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Interview

Sundance ’11 Interview: ‘Vampire’ Director Iwai Shunji

Debuting at the 2011 Sundance Film Festival was Japanese director Iwai Shunji’s Vampire (review), a film about a young schoolteacher (Kevin Zegers) who develops a taste for human blood and seeks out suicidal women in online chat rooms in order to quench his unconventional thirst. B-D reporter Chris Eggertsen recently chatted via email with Shunji about the low-key movie, which veers away from the usual cinematic vampire clichés to give viewers a de-romanticized perspective on the bloodsucker sub-genre. See inside for the full interview.
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Sundance ’11 REVIEW: Enter a First-Person ‘Jurassic Park’ With ‘The Troll Hunter’!

Said to be getting a theatrical run and VOD release this coming June from Magnet, Bloody Disgusting scored an early look at the Norwegian creature feature The Troll Hunter, which premiered this past weekend at the Sundance Film Festival in Park City, Utah. Just how good was it? How about crazy awesome!?

With all of the troll roaring, people chasing, and mythological elements, ‘The Troll Hunter’ is easily the ‘Jurassic Park’ of first-person horror.

You can click the title above for the full review or catch up on all of our previous Sundance Film Festival reviews, interviews and news here.

 Sundance 11 REVIEW: Enter a First Person Jurassic Park With The Troll Hunter!

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Sundance ’11 REVIEW: A Second Look at ‘I Saw the Devil’

One of my top 10 films of 2010 was Kim Jee-woon’s I Saw the Devil, which opens in limited theaters March 4 from Magnet Releasing.

A hard-boiled thriller, I Saw The Devil stars Choi Min-sik (Oldboy) as a psychopathic serial killer up against Lee Byung-hun as a special agent whose fiancée becomes one of his victims. Lee’s cool-headed and intelligent character in turn becomes a monster in order to avenge the killing.

Ryan Daley has chimed in with a review of his own and can be read by going beyond the break. Just how good is this thriller? Read on to find out. Don’t forget to catch up on all of our previous Sundance Film Festival reviews, interviews and news here.
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Sundance ’11 REVIEW: ‘Vampire’ Turns Ryan White With Boredom

Sliding under the radar during most of production was Iwai Shunji’s Japanese Vampire, which just premiered at the Sundance Film Festival. The film drained Ryan Daley of all energy.

The ingredients for a ‘Martin’-like cult classic are certainly present…but this is one of those movies that inexplicably abandons compelling subplots in favor of boring ones. ‘Vampire’ is too self-indulgent to be taken seriously. It’s a film with a complete disregard for its audience.

You can click the title above for the full review or catch up on all of our previous Sundance Film Festival reviews, interviews and news here.

 Sundance 11 REVIEW: Vampire Turns Ryan White With Boredom
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Interview

Sundance ’11 Interview: ‘The Silent House’ Team Chris Kentis & Laura Lau!

Just barely sliding into Sundance this year is the Laura Lau/Chris Kentis horror flick The Silent House (review), a last-minute addition that follows a young woman’s night of terror as she travels with her father and uncle to the family’s isolated summer home and comes to discover they’re not alone. Lau and Kentis, the husband-and-wife duo behind 2004 hit Open Water, based the story on the recent Uruguayan film La casa muda, duplicating that movie’s amazing – though not unprecedented – feat of being filmed entirely in one continuous take. B-D reporter Chris Eggertsen recently got on the phone with the couple to discuss the project’s astonishingly quick journey to the screen, the formidable challenge of shooting it all in one go, and working with star Elizabeth Olsen (the younger sister of Mary-Kate and Ashley). See inside for the full interview.

 Sundance 11 Interview: The Silent House Team Chris Kentis & Laura Lau!

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Interview

Sundance ’11 Interview: Lucky McKee Talks ‘The Woman’

Amazingly, it’s been nearly ten years since director Lucky McKee first made a name for himself with the quirky character-based horror film May, which debuted at the Sundance Film Festival way back in 2002. McKee’s latest project is The Woman, a sequel to the 2009 Andrew van den Houten-directed cannibal horror movie that was based on the book of the same title by cult novelist Jack Ketchum. Adapted from a recent follow-up novel written by McKee and Ketchum in a to-die-for-collaboration, The Woman premieres at Sundance next week and looks poised to rattle our collective cages in its story of “disturbed family man” Christopher Cleek (Sean Bridgers) who captures the last surviving member of the cannibal clan and in the process endangers the lives of himself and his family. McKee recently took time out for an interview with B-D reporter Chris Eggertsen to talk about the project, including reuniting with Bettis, what it was like teaming up with renowned “splatter punk” novelist Ketchum, and whether the nerve-wracking Sundance experience ever gets any easier. See inside for the full interview.
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Sundance ’11 VIDEO: Lucky McKee’s ‘The Woman’ Causes Outrage!

East coast writer John Marrone just emailed me an amazing video from the halls of the Sundance Film Festival premiere of The Woman, Luck McKee’s Offspring sequel that follows a successful country lawyer who captures and attempts to “civilize” the last remaining member of a violent clan that has roamed the Northeast coast for decades. In the video you will see a theatergoer absolute lose his sh*t over the film: “This is not art, this is bullsh*t, this is degradation to women,” he screams adding that “the film outta be confiscated, burned; theres no value is showing this to anyone.” He then points to a woman and exclaims, “Did you see this woman? She passed out over disgust!” Classic!!!! What a drama queen LOLOL!
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Sundance ’11: The Night After: The Debacle That is ‘Red State’

When will the balloon pop? Writer/director Kevin Smith’s ego has been inflating at such a rapid rate it’s only a matter of time until it bursts. The madness started when Smith suggested asking fans to fund his indie film – one which Smith openly admitted would be a tough sell – and then took to Twitter attacking journalists, critics and other forms of media. He’s basically stood on a rooftop and declared himself king, and all of us jesters. Why? Because he’s built a following around himself of ass-kisser and super fans who would buy a dried out piece of Smith-poop if it was auctioned off during a Smodcast. Anyways, last night Smith auctioned off his indie political horror Red State in a sad publicity stunt to himself, while also making bold statements about the state of independent cinema. I was laying in bed reflecting on this (it slowly dawned on me he was F.O.S.) and was happy to stumble across this fantastic rant – “Kevin Smith Isn’t Saving Indie Film, He’s Spitting In Its Face” – by Devin Faraci at Badass Digest. Inside you can watch the “auction” and listen to Smith’s perception on the matter, then go forth and read what Faraci had to say. He couldn’t have summed it up better.
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‘Hobo’ Director Discusses His Next Project – A Blood-Drenched Martial Arts Movie!

While his feature debut Hobo with a Shotgun is playing to mostly positive reviews over at this week’s Sundance Film Festival, director Jason Eisener is already eyeing his next project – a bloody martial arts film that he hopes to make in the spirit of the gory classic 1991 Hong Kong film Riki-Oh: The Story of Ricky (one of the bloodiest films ever made!) Get the skinny inside!
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Interview

Sundance ’11 Interview: Jason Eisener on His Grindhouse-Inspired ‘Hobo With a Shotgun’!

For those who enjoyed director Jason Eisener’s award-winning faux-trailer Hobo with a Shotgun, not to mention his later blood-drenched short film “Treevenge”, you can thank your lucky stars because the feature-length version of Hobo – starring Rutger Hauer, no less! – will be coming soon to a theater or cable box near you, courtesy of genre distributor Magnet Releasing. B-D reporter Chris Eggertsen recently got on the phone with the Nova Scotia-based director to get his thoughts on the Sundance-premiering project’s unlikely rise, including what it was like to work with screen legend Rutger Hauer, how much gore we can expect in the film (answer: tons), and his ’70s and ’80s filmmaking inspirations. See inside for the full interview.
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Interview

Sundance ’11 Interview: ‘Catechism Cataclysm’ Director Todd Rohal

One of the films premiering in the genre-friendly Park City at Midnight section of the Sundance Film Festival this year is directorTodd Rohal’s Catechism Cataclysm, a quirky buddy comedy/horror flick/absurd mash-up that tells the story of an “eccentric young priest” (Steve Little) and his ex-rock star childhood friend (Robert Longstreet) who embark on an ill-fated canoeing trip. B-D reporter Chris Eggertsen recently got on the phone with Rohal to discuss the hard-to-pin-down film, which according to the director was partially inspired (tonally, at least) by both Deliverance and The Texas Chainsaw Massacre. (!) See inside for the full interview.
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