Hailing out of Ireland, director Aislinn Clarke will see The Devil’s Doorway have its Midwest Premiere at the forthcoming Cinepocalypse here in Chicago on Friday, June 22nd (get...
Orion Classics has picked up the North American and Latin American rights to Bridey Elliott’s Sundance drama Clara’s Ghost, reports THR. The film is set to...
The Music Box Theatre is once again bringing the Cinepocalypse Film Festival to Chicago from June 21 – 28th where Bloody Disgusting is a premier sponsor. Yesterday, we told...
This past weekend, technology got ugly with Leigh Whannell’s Upgrade. Harking back to films like RoboCop, the film takes futuristic tech and put a crooked, broken,...
The Cinepocalypse team (including myself!) have programmed the living shit out of next month’s genre festival that will take place June 21-28 at the famous Music...
It was just announced that Orion Classics is relaunching with the post-apocalyptic thriller The Domestics on June 28 in theaters, followed by a video on demand...
The Music Box Theatre is proud to announce their full slate of 2018 programming and guests for the sophomore year of CINEPOCALYPSE, which will take place June...
Bloody-Disgusting’s Benedict Seal called it “an exercise in cinematic shock and disgust”, now Cinepocalypse selection Attack of the Adult Babies is headed to Blu-ray, DVD &...
Chicago’s Music Box Theatre announced today that director Scott Derrickson (Sinister, Doctor Strange, The Exorcism of Emily Rose, Deliver Us From Evil) and screenwriter C. Robert...
Toronto-based genre specialist Raven Banner has boarded action title Snowflake by Adolfo Kolmerer and William James and will launch worldwide sales at the EFM in Berlin next week,...
The Music Box Theatre announced today the return of Cinepocalypse, the Midwest’s largest gathering of horror films and the cinephiles who love them! Shifting dates, the...
One of the hottest genre titles you’ve never heard of is Lowlife, which not only the Fantasia Film Festival this past July, but also the Frightfest...
I’ve been a fan of Justin McConnell‘s since stumbling upon his debut feature The Collapsed during the Canadian theatrical release in Toronto. From that slice of the...
The biggest surprise out of Music Box Chicago’s inaugural Cinepocalypse Film Festival was completely under the radar. It was a film not listed in the program. In fact,...
Cinepocalypse, an evolution to the program design of Bruce Campbell’s Horror Film Festival, has been taking over the Music Box Theatre in Chicago from November 2-9. Tomorrow,...
Although we’ve yet to confirm his/her existence in real life, Bigfoot is no stranger to the world of film. From family-friendly comedies to found-footage massacres, the...
Poor Agnes is an in-depth and, at times, deeply disturbing look inside the mind of a depraved serial killer. The film stars Lora Burke as the...
Set to have its U.S. Premiere at the forthcoming Cinepocalypse in Chicago on November 5th (get tickets), Bloody Disgusting has the first clip, poster, and images from...
CINEPOCALYPSE, an evolution to the program design of Bruce Campbell’s Horror Film Festival, is taking over the Music Box Theatre in Chicago from November 2-9. Of the...
Patrick Magee is a special-effects makeup artist who has worked on Beyond Re-Animator, Dark Ride, and Zombie Strippers, and he makes his directorial debut with Primal Rage, which will have its...
Patrick Magee is a special effects makeup artist who has worked on Beyond Re-Animator, Dark Ride, and Zombie Strippers, and he makes his directorial debut with Primal Rage, which will...
Before opening in theaters and VOD November 17th through IFC FIlms, Jamie M. Dagg‘s Sweet Virginia will open the Cinepocalypse in Chicago in November 2nd. Featuring...
Hailing out of Germany is Adolfo Kolmerer and William James’s Snowflake, which will hold its North American Premiere at the forthcoming Cinepocalypse in Chicago (get tickets...
On the eve of the North American Premiere at Brooklyn Horror Film Festival, Can Evrenol‘s English language debut, Housewife has received a new one sheet. In...
