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There’s no doubt that director Park Chan-wook (Oldboy, Sympathy for Mr. Vengenace, Lady Vengeance, Thirst) is a true visual master. It’s in his blood. His English-language debut, Stoker, penned by Ted Foulke (aka Wentworth Miller), is no exception. Not only is the story somehow atmospheric, creepy and fun – but the visual aesthetic is absolutely astounding. Some directors make movies while others truly understand the language of cinema. And Director Park is certainly among the latter in that regard.
I didn’t have time to talk to him for my set report, so I was thrilled to be able to catch up with him at the SLS Hotel in Los Angeles last month. While we chatted for 15 minutes, keep in mind it was via translator – so there was some inherent back and forth that kept the actual content covered on the shorter side.
“After India’s (Wasikowska’s) father dies in an auto accident, her Uncle Charlie (Goode), who she never knew existed, comes to live with her and her emotionally unstable mother (Kidman). Soon after his arrival, she comes to suspect this mysterious, charming man has ulterior motives, but instead of feeling outrage or horror, this friendless girl becomes increasingly infatuated with him.” Mia Wasikowska, Nicole Kidman, Matthew Goode, Jacki Weaver, Lucas Till, Alden Ehrenreich, Phyllis Somerville and Dermot Mulroney all star.
Stoker hits theaters March 1st from Fox Searchlight. Head inside for the interview! READ MORE
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